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    4 Editors Note

    6 Letters

    6 Whats New atforums.myAmericanArtist.com

    7 Art Mart

    8 Quick Sketches

    Plein Air Painting to Help Special-

    Needs Teens...Artist-In-Residence

    Program Accepting Entries...

    Brooklyn Museum Launches

    Customized Smart Phone Gallery

    Tours.

    CONTENTSN O V E M B E R 2 0 0 9

    EASY REFERENCE

    Oil: 12, 30, 38, 44, 58, 66, 67, 68, 70, 72

    Watercolor: 52

    AMERICAN

    ARTISTCOVERSelf-Portrait (detail)

    by Lea Colie Wight, 2008, oil, 24 x 18.Collection the artist.

    12 The Arrival of French

    Impressionism in America:Californias Golden Years

    BY JEAN STERN

    Around the turn of the 20thcentury, Impressionism had

    become the style of choice amongmost American painters. Turningfrom academic modes and styles,

    the public slowly embraced thesebright, colorful paintings and

    looked to the California artists toadapt the French-inspired way of

    painting light in the landscape.

    30 Paint What You See at a Glance

    BY M. STEPHEN DOHERTY

    Lea Colie Wight spent yearslearning to paint fleeting imagesthat captivated her attention.

    Im now helping studentsunderstand what took me years to

    learnthat painting is aboutrecording what you see and feel

    at a moment in time, she says.

    38 Capturing Atmosphere in Oil

    Landscapes

    BY M. STEPHEN DOHERTY

    Maryland artist Gavin Brooksinstills landscape paintings with

    a sense of air, saturated light, time,and distance. She accomplishes

    that by managing the subtlety ofvalues, establishing hard and soft

    edges, controlling the intensity ofcolor, and creating a layering ofpaint qualities.

    44 Portrait Sketches That Guide

    Artists and Their Clients

    BY M. STEPHEN DOHERTY

    Brian Neher paints two small oil

    sketches of his portrait subjectsto help set a direction for the

    finished portrait that satisfies himand his clients.

    Copyright 2009 by Interweave Press, a division of Aspire Media, all rights reserved. Title registered in U.S. Patent Office. The contents ofthis publication may not be reproduced either in whole or in part without consent of the copyright owner. American Artist (ISSN 0002-7375USPS 494-930 Issue 803) is published monthly except July/August by Interweave Press, 201 E. Fourth St., Loveland, CO 80537. Subscriptionsare $29.95 per year domestic, $39.95 Canada and foreign countries. Group subscription rates on request. American Artist is printed in the U.S.A.Periodicals postage paid at Loveland, CO, and additional mailing offices. POSTMASTER: Send address changes to: American Artist, P.O. Box469074, Escondido, CA 92046-9074.

    www .myAme r i c anA r t i s t . c om

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    52 44

    38

    5866

    52 10 Steps to Determine Values

    in Watercolor

    BY DAVID R. DANIELS

    Although I am known for using vibrant

    colors to create what appear to be playful,spontaneous images in my watercolorpaintings, the key to the success of these

    paintings is the value structure of thecompositions. Heres how I teach others to

    use studies to plan effective compositions.

    58 Using Layers to Create a Sense of Place

    BY JOHN A. PARKS

    John Evans evocative and compelling oil

    paintings emerge from a long process ofstruggle, overpainting, layering, sanding,

    and soul-searching.

    66 Exhibitions

    Reconfiguring the Body in American Art,

    18202009...Gaze: Portraiature After Ingres...Luis Melndez: Master of the Spanish StillLife...Czanne and American Modernism...

    Call of the Coast: Art Colonies of New England.

    74 Business of Art

    76 Technical Q+A

    78 Bulletin Board

    80 Coming in...

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    4 American Artist

    Portrait byEverett Raymond Kinstler

    EDITORS NOTE

    FOUNDER, CREATIVE DIRECTOR: Linda Ligon

    CEO: Clay B. Hall

    PRESIDENT: Marilyn MurphyCFO: Troy Wells

    VICE PRESIDENT, CONSUMER MARKETING: Bob Kaslik

    VICE PRESIDENT, SALES& MARKETING : Stephen KoenigVICEPRESIDENT, PRODUCTION: Trish Faubion

    VICEPRESIDENT, TECHNOLOGY: T.J. HartyVICEPRESIDENTAND DIVISIONPUBLISHERFOR ARTAND JEWELRY: David Pyle

    PRINTED IN U.S.A.

    Send editorial mail to AMERICANARTIST, 29 W. 46th St., 3rd Floor, New York,N.Y. 10036. AMERICANARTISTwelcomes editorial submissions, but assumes noresponsibility for the loss or damage of any unsolicited material. Unsolicitedmaterial must be accompanied by a self-addressed, stamped envelope.

    Subscription services and information: AMERICANARTIST, P.O. Box 469074,Escondido, CA 92046-9074, or call (866) 917-2676; or outside continentalU.S.: (760) 317-2316. Back issues are available for $9.99 each plus postageand handling.

    AMERICANARTIST (ISSN 0002-7375; USPS 494-930) is indexed in TheReaders Guide to Periodical Literature and The Art Index; it is reproducedon University Microfilms, Ann Arbor, Michigan 48106; on microfiche by Bell& Howell Micro Photo Division, Old Manfield Road, Wooster, Ohio 44691;and abstracted by ARTbibliographies, P.O. Box 9, Oxford, OXI 5EA, England.Book reviews are indexed in Book Review Index..

    AMERICANARTIST: published (since 1937) monthly, except for July/August, byInterweave Press. EDITORIAL and ADVERTISING offices, 29 W. 46th St., 3rdFloor, New York, N.Y. 10036. Telephone: (646) 841-0050. $5.99 a copy,

    U.S.A., and $6.99 a copy Canada. Yearly subscription in U.S.A. andPossessions, $29.95, elsewhere $39.95. Group subscription rates on request.

    The contents of this publication may not be reproduced in whole or in part withoutthe consent of the copyright owner, Interweave Press, a division of Aspire Media.

    Attention Retailers: To carry AMERICANARTIST in your store, call IPD at1-866-473-4800, or write: American Artist Dealer Dept., c/o IPD SourceInterlink Companies, 6195 Lusk Blvd., San Diego, CA 92121-2729.

    NOVEMBER 2009 VOLUME 73 ISSUE 803

    EDITORIAL

    EDITOR-IN-CHIEF

    M. Stephen DohertyMANAGING EDITOR

    Bob BahrSENIOR EDITORS

    Allison Malafronte Brian F. RileyART DIRECTOR

    James B. Bogner IIIASSISTANT EDITOR

    Austin R. Williams (646) 841-0050

    CONTRIBUTING EDITORSLynne Bahr Daniel Grant

    John A. Parks Linda S. PriceJoseph C. Skrapits Jane Sutherland

    PUBLISHING

    PUBLISHER

    David PyleMEDIA SALES DIRECTOR

    Jim McIntosh (513)-961-0034MEDIA SALES MANAGER

    Mary McLane (970) 290-6065ONLINE PRODUCT DEVELOPMENT MANAGER

    Karyn Meyer-BerthelAD TRAFFICKERS

    Teresa Warren Melissa BrownCIRCULATION DIRECTOR

    Bob KaslikCIRCULATION MANAGER

    Sheila DerringtonWEB BUSINESS DEVELOPMENT MANAGER

    Tricia Gdowik

    MARKETING MANAGERAnnie Hartman Bakken

    PRODUCTION

    PRODUCTION DIRECTOR

    Nancy M. PollockPRODUCTION EDITOR

    Nancy ArndtFOR SUBSCRIPTION INQUIRIES

    (866) 917-2676 (U.S.) (760) 317-2316 (outside U.S.)[email protected]

    M. STEPHEN DOHERTY

    Editor-in-Chief

    [email protected]

    Would You Have Chosen That Cover?

    There are times when picking the cover image for American Artist can be achallenging assignment. The drawing or painting has to represent the contentsof the issue, it must fit into the rectangular space in such a way that the sub-

    ject of the artwork is immediately recognizable, the text must be able to floatover the image and appear legible, and the finished cover design must be dis-

    tinguishable from those of the most recent issues. Sometimes we have three orfour outstanding works of art to choose from that fit all those criteria, andsometimes we struggle to find just one.

    No matter how difficult or easy the selection process might be, we always won-der if we came up with a cover you thought was appealing enough to buy the

    issue, subscribe to the publication, or renew your subscription. We dont know theanswers to those questions until six or eight months after the magazine is printed

    when all the bookstore and newsstand reports have been finalized and we receivea comprehensive report from our circulation department in Loveland, Colorado.

    All that is about to change, because we are establishing a Reader Advisory

    Panel (RAP) of artists who will vote on cover options, article titles, special issue

    themes, event locations, and favorite artists. If you want to join this panel,please go to our website (http://forums.myAmericanArtist.com) and click onthe link to our RAP questionnaire. This questionnaire asks for some basic

    information about your preferred art medium and level of experience so thatwe can better understand why you might prefer one option over another.

    In the meantime, I would appreciate it if you would think about your level of

    interest in the articles included in this issue. Did you find Jean Sterns articleabout the history of California plein air painting to be helpful in understanding

    how the great artists of the past helped shape your current work (page 12)? Andwas David R. Daniels article on determining values in watercolor relevant to

    the challenges you face when painting (page 52)?Ill look forward to reading your comments on the RAP group surveys, in

    the forums section of our website, or in e-mail messages sent to

    [email protected].