This article was downloaded by: [Columbia University]On: 08 December 2014, At: 10:26Publisher: RoutledgeInforma Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House,37-41 Mortimer Street, London W1T 3JH, UK

Review: Literature and Arts of the AmericasPublication details, including instructions for authors and subscription information:http://www.tandfonline.com/loi/rrev20

Geneviève Cadieuz (b. Monteral, 1956)Published online: 10 May 2012.

To cite this article: (2001) Geneviève Cadieuz (b. Monteral, 1956), Review: Literature and Arts of the Americas, 34:63,68-72, DOI: 10.1080/08905760108594677

To link to this article: http://dx.doi.org/10.1080/08905760108594677

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In recent pieces [the body] appears to be

annulled in favour of its functions, rhythm,

and voices. Souffle (1996) retains only the

exhalation that accounts for the swollen

forms of three glass gloves placed on the

floor. The body has let itseifbe carried off

in its own breath.... A gradual partition <

the body's image in time and space lends

continuity and resonance to these new ob

jects." [Laurence Louppe, "Entre-corps,"

in Genevieve Cadieux (Vancouver: Morris

and Helen Belkin Art Gallery; Montreal:

The Montreal Museum of Fine Arts, 1999)

Souffle [Breath], 1996Blown glass; triptych, diameters approximately23 5/8 inches (60 cm), 27 1/2 inches, and 27 1/2 inchesCourtesy of Galerie Rene Blouin, Montreal Edited and compiled by Joseph R. Wolin

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