Marina Cecchi portfólio 2016

MARINA ARANTES CECCHIportfolio 2016

MARINA ARANTES CECCHI

Agrario de Sousa, 209So Paulo, BrasilP: +55 11 9 71512155 (br)E: [email protected]

CONTENT

Curriculum Vitae [04 - 04]

University projects [05 - 42]

Personal projects [43 - 50]

Professional experience [51 - 64]

Drawings and photography [65 - 77]

04


Nationality: brazilian and portugueseAge: 23P: +55 11 9 71512155 (br)E: [email protected]

EDUCATION

Universidade Autnoma de Lisboa - Lisboa, Portugal [09/15 - 02/16]

Faculdade de Arquitetura e Urbanismo Escola da Cidade - So Paulo, Brasil [2011-Dec/2016]

Colgio Santa Cruz - So Paulo, Brasil [1999 - 2010]

PROFESSIONAL EXPERIENCE

Scenography assistant for concert at SESC Pinheiros - So Paulo, Brasil [2016]

Architectural intern at METRO Arquitetos + Paulo Mendes da Rocha - So Paulo, Brasil [02/14 - 06/15]

Architectural intern at Duo Arquitetura - So Paulo, Brasil [02/13 - 07/13]

OTHER EXPERIENCE

Contemporary scenography course at SESC with Renato Bolelli Rebouas - So Paulo [2016]

Lab. Fronteiras Permeveis (scenography) with Vera Hamburger - So Paulo [2016]

Workshop 6 curadores (6 art/photography curators) no Marieta - So Paulo [2016]

Workshop SESC Roma Flaminio - La Sapienza, Roma [2014]

Course Arquitetura, arte e cidade no campo ampliado contemporneo (architetural critics)com Guilherme Wisnik - So Paulo [2014]

Course Desenho e Criatividade (drawing and creativity) with Marcelo Cipis - Escola da Cidade, So Paulo [2012]

Course in arts class: stop-motion production - Colgio Santa Cruz, So Paulo [2010]

Course linguagem arquitetnica (architectural drawing) with prof. Filippo Guasti [2010]

Summer School at Cambridge School of Visual and performing arts: painting and photography - Cambridge [2009]

Cambridge Certificate for Advanced English - CAE [2009]

Summer School at Yale University: advertising + marketing [2008]

SKILLS

Language: english [advanced - CAE], french [basic - A2], spanish [basic]Software: AutoCad, Revit, VectorWorks, Sketchup, Photoshop, Indesign, Illustrator

05

UNIVERSITY PROJECTS

06

IAB2012

team: individual

Project for an annex building to the existing Institute for Brazilian Architects (IAB) de-signed by Rino Levi, where there are office spaces, a bookstore, a cafe and an auditori-um. The project for the annex was conceived during the 2nd year of architectural studies. This new building is composed by exhibition spaces, a library, workshop spaces and a new auditorium on the underground level. The two buildings are freely connected on the floors where public use takes place, and the faade of the new building, which dialogues with the existing one in terms of material and propor-tions, suggests how the two are connected. The groundfloor is free of program and con-struction, leaving an empty and iviting pub-lic space. From this part on, the stairs that connect each floor are located externally to the builing space, connecting the two sides of the L plan.

08

HOUSING IN SANTIAGO CITY CENTER2013

team: individual

Project for a mixed use building in the center of Santiago, Chile. The building is situat-ed in the middle of the block, on the back of what used to be a social club/association. The faade was preserved in order to maintain the looks of the street and the doors were taken away, leaving the arches that would make the entrance for a big court inside that is sur-rounded by the new mixed use building which is composed by students housing, workshop spac-es, restaurant, coffee shop and an aditori-um in the underground of the plaza. The court in the middle of the block can be accessed by the main street in the front - Companhia de Jess-, as well as by a short alley on the other side of the block that leads to its cen-ter.

10

underground floor plan groundfloor plan

street faade

11

transversal section

12

PARQUE AUGUSTA2014

team: individual

Parque Augusta is the name of a very big green area in the middle of So Paulo city center, generated by the demolition of a school that was there before 1974. It is a private site that has been underused for a very long time and the people have now been requesting that the government turns it into a public park. Situated between the crowded and axial Conso-lao avenue and the famous Augusta street and right next to a school and university complex, the park occupies an area of 24.000 square meters of natural vegetation of the Mata At-lantica.

The project looks to keep this vegetation as natural as possible, enhancing a big glade in the middle by replanting its surroundings. The ground stays untouched while a high walk-way takes people all around the area exploring various heights. There are strategic points of entrance to this circuit where the walkway gently touches the ground.

As a limit mark there is a wall that surrounds the park site in one unique level, but looks to be suspended where the natural topography starts to go up or down. The suspended wall is white on the parts that look to the outside faade and mirrored on the inside, creating a sensation of infinite vegetation for the pe-destrians walking on the heights.

16

SAMPAIO MOREIRA2014

team: individual

Project for empty site next to the famous Sam-paio Moreira building, which is currently out of use and located at Libero Badar street in So Paulo historical city center.

The chosen program for the new building was art exhibition and workshop spaces; and ate-liers, dancing and coworking spaces, library and coffee shop take place in the existing building.

The groundfloor of the new building is a free empty space that appears as an extension of the sidewalk space as it continues its same pattern and creates direct connection between the building and the public space, attracting people inside as they come from vale do An-hangaba and the metro down across the street. The two builings are connected in specific floors such as the library, auditorium, cof-fee shop and the two original from the Sam-paio Moreira: the top and groundfloor where a teahouse and typical grocery store are take place.

The new building is supported by scaffold-ing-like structure where boxes of various dimensions find their places in empty spaces. The variety of dimensions are each specifical-ly thought to house different possibilities of exhibitions, and so are the empty spaces. High walkways go from the vertical circulation box in the back of the site and take people along the exhibition spaces from the ground to the top floor.

20

LARGO DA BATATA2014

team: Marina Cecchi, Ana Tranchesi, Marcela Charbel

Project for empty space of Largo da Batata, So Paulo. Largo da Batata is a big public square in a very central part of the city, a plane and empty island in the middle of the dense urban area, a node where urban trans-ports meet and people -mostly workers- pass by very fastly and rarely stay, as there is so little shadow or shelter. The project started from the study of the area as it is nowadays and of what it has been since it was first consolidated. It is very close to Pinheiros river and was first occupied by indians who there estab-lished their tribes. After research on indian tribes around Brasil their spatial configura-tions, the main reference for the project was the Yanomami tribe in the Amazon, where the the rituals and spatial organization are all concentric, providing democratic spaces of living in community.

26

TEMPO LIVRE CAMPO LIMPO2015

team: Marina Cecchi, Gabriela Santana, Helena Caixeta, Marina Dahmer, Olivia Stiubiener

Study that took place in Campo Limpo district in So Paulo, about 20km from the city center, that is mostly a dormitory town, considering the majority of its inhabitants dont work nearby, but do it in the city center and take hours on their going and coming back journeys everyday. The theme for the study is free time. The study then focuses on what can be considered free time, how often can people enjoy it, for how long, and how, in a big city such as So Paulo. The group picked a sequence of empty sites, located one after the other making the connec-tion between the highest and lowest areas of the hill where it is situated. The proposal was the building of an infrastructure along this underused axis that would provide dif-ferent experiences of time and the imaginary connectio between Campo Limpo and other parts of the city. Before, during and after the designing of the project, the group made a series of maps an diagrams that describe the physical and imag-inary sensations of the route along this new passageway.

30

COTAS SINES, PORTUGAL2015/16

team: Marina Cecchi,

Reproposal for pedestrian access between the low and high parts of Sines, a small portu-rary town in portugal. In front of a church and next to a medieval castle, the project recreates a plaza in front of the church as a living area and viewpoint. This plaza is made of a concrete shell where people can stay and walk above it during summer, and below it during winter. This shell is the startpoint for the way down, which goes along the natu-ral topography going through uncovered gardens until you get to the beach.

31

fluxos x permenncias ocupao inverno ocupao vero escalas/ocupaes estmulos

horrios centro cultural igreja praia porto castelo sobreposio

densidades / ocupaes estmulos sensoriais intensidades fluxos

cota alta

cota baixa

projeto

retalhos da malha urbana

38

FROM PRIVATE TO PUBLIC2016

team: Marina Cecchi, Gabriel Biselli, LuizSolano, Luna Fonseca, Bruna Brito

Proposal for public intervention on the perim-eters of a lot of what used to be a country house, in the 19th century. As the city of So Paulo expanded, this house went from a high society country house, to a high society city house. And as the surroundings fragmented, this specific lot remained almost as large as it was in the beginning. The intervention proposed by our team, was then to place modular cabins along two of the faades, that would bring to public space some of the cultural heritage goods, that are to-day hidden inside the lot: works of important brazilian artists, exotic vegetation, noble construction and decorative materials.

40

faade | Higienpolis street

faade | General Jardim street

41

Aurora, 1883

marble Carrara

CaesalpiniaLeiostachya

periscope elevator stairs and black box

43

PERSONAL PROJECTS

44

CASA ORLANDIA2015

team: individual

Project for single family house in Orlandia, countryside of So Paulo.The house is only one level and basically com-posed by two volumes connected by a services area, leaving a patio in the middle of the site.The walls vary in three types: glass windows, full brickwork, and brickwork with missing bricks that let the light come smoothly into the rooms.

48

LUMINRIA2015

team: Marina Cecchi, Manuela Loureno

Prototype for floor luminary composed by weld-ed iron bars with hanged mirrored pendants on the top part and a focus bulb as a light source, that points directly to the mirrored pendants that reflect the light on the wall. The pendants are very light and sensible to wind and movements so that its shadows and re-flections move gently on the illuminated sur-face.

51

PROFESSIONAL EXPERIENCEat METRO ARQUITETOS

52

CASA SANTA HELENA2014

team: Gustavo Cedroni, Martin Corullon e Sol Camacho, Luis Tavares, Isadora Schneider e Marina Cecchi.

Project for house inside big green area in So Paulo city.

The project organizes the program by placing a large concrete slab which covers the ground floor and all of the service area transforming it into an extension of the kitchen and liv-ing room areas in the first floor. This first floor is completely surrounded by glass so it has a physical and visual connection to the outer landscaped area.

54

GALERIA CASA TRIANGULO2015

team: Martin Corullon, Gustavo Cedroni, Isado-ra Marchi, Luis Tavares, Marina Ioshii, Marina Pereira, Rafael de Sousa, Renata Mori, Marina Cecchi.

Restoration of building that used to be a film rental store and now becomes new house for Ga-leria Casa Tringulo. The volume is composed by a big opaque white box on top of transluscent curved glass walls.

On the inside there are two exhibition areas, a technical reserve for the art collection, administration and back office making up a to-tal of approximately 500m2. The main room will extend to the outside of the gallery towards the street creating an outdoors area for exhi-bitions and events.

The exhibition area is a flexible space com-posed by moving freestanding walls that organ-ise various spatial configurations.

56

AESOP STORE2014

team: Paulo Mendes da Rocha, Martin Corullon, Gustavo Cedroni, Helena Cavalheiro, Marina Ioshii, Rafael de Sousa, Luis Tavares, Isadora Marchi, Camile Laurent, Marina Pereira, Isado-ra Schneider, Marina Cecchi.

The intent was to create a comprehensive and simple environment that avoided internal par-titioning and allowed a clear view of the store from the street, through glazed trans-parent panes. The chosen materials and finish-es are common in civil construction - steel, glass and paint - but are differentiated by careful detailing and a constant demand for perfect finishes in order to achieve the ex-pected result.

The store has two facades: the main one on Oscar Freire street and the secondary, longer extension, facing the access to the condo-minium. Both have enough visibility from the street.

In the sales area, the most outstanding ele-ment is the central counter made of polished exposed concrete, cast in situ and cantile-vered from a cylinder in painted steel for support. This cylinder will serve as a source of water abstraction for the product testing area.

57

sketch by METRO ARQUITETOS

60

MARINA ABRAMOVIC AT SESC POMPEIA2014

team: Martin Corullon, Gustavo Cedroni, Hele-na Cavalheiro, Juliana Ziebell, Luis Tavares, Marina Pereira, Marina Cecchi.

After a year and a half of studies, the proj-ect for the exhibition TERRA COMUNAL- MARINA ABRAMOVIC + MAI comes to life at Sesc Pompeia. The exhibition will be divided into two parts: Terra Comunal Marina Abramovic, the art-ists greatest retrospect in South America and Terra Comunal MAI.

The project for this exhibition focuses on bringing together the strong energy present in the existing areas of Lina Bo Bardis icon-ic building Sesc Pompeia, with a strong and potent intervention that would maintain its integrity, architecture, materials and diver-sity of simultaneous uses while organizing the flow of people and creating private and silent spaces for a better appreciation of specific works.

Two large suspended walls were constructed to organize the exhibitions main zones in the Espao de Convivncia or living area, while maintaining the floor to ceiling perspective of the building. In the area called Galpo, is the space entitled In Between which will function as a public square where artists, researchers residents, and visitors can meet to exchange ideas andexpand their knowledge of performance and immaterial art. In this space the original architectureof the building is also maintained and preserved in order to coexist in harmony withthe new structures and events held in this area.

65

DRAWINGS AND PHOTOGRAPHY


Agrario de Sousa, 209So Paulo, Brasil

P: +55 11 9 71512155 (br)E: [email protected]

Documents

Marina Cecchi portfólio 2016