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10.07.18, 14)54 Stradivari Quartet: Schumann String quartets | Review | The Strad Seite 1 von 3 https://www.thestrad.com/reviews/stradivari-quartet-schumann-string-quartets/7951.article Stradivari Quartet: Schumann String quartets 29 JUNE 2018

Stradivari Quartet: Schumann String quartets · 2018. 7. 16. · Works: SCHUMANN String quartets: op.41, no.1 in A minor, no.2 in F major, no.3 in A major Catalogue Number: RCA RED

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  • 10.07.18, 14)54Stradivari Quartet: Schumann String quartets | Review | The Strad

    Seite 1 von 3https://www.thestrad.com/reviews/stradivari-quartet-schumann-string-quartets/7951.article

    Stradivari Quartet: SchumannString quartets29 JUNE 2018

  • 10.07.18, 14)54Stradivari Quartet: Schumann String quartets | Review | The Strad

    Seite 2 von 3https://www.thestrad.com/reviews/stradivari-quartet-schumann-string-quartets/7951.article

    The Strad Issue: July 2018

    Description: A wonderful reminder of the delights of these three quartets

    Musicians: Stradivari Quartet

    Works: SCHUMANN String quartets: op.41, no.1 in A minor, no.2 in F major, no.3 in A major

    Catalogue Number: RCA RED SEAL 88985492642

    Schumann’s three string quartets are surely exemplars of the old adage that the best is the enemy of the good.

    The third of them is standard repertoire nowadays, but the other two still lurk in the shadows. To hear this CD is

    THE STRAD RECOMMENDS

  • 10.07.18, 14)54Stradivari Quartet: Schumann String quartets | Review | The Strad

    Seite 3 von 3https://www.thestrad.com/reviews/stradivari-quartet-schumann-string-quartets/7951.article

    to be reminded of what delights they all have to offer. The Stradivari players lay out their stall from the andante

    start of the A minor Quartet op.41 no.1 with clear, focused tone, warm sound and immaculate textural clarity –

    crucial in these contrapuntal works.

    They are aided by excellent recording, in a resonant acoustic. The ensuing Allegro is fluid, and the second

    movement is dynamic, with taut rhythms. The Adagio becomes increasingly uneasy, and the final Presto is

    exuberant.

    The opening allegro vivace of the Second Quartet op.41 no.2 presses forward enthusiastically, with a beguiling

    swing. The apparent simplicity of the andante is laced with sparkling details. The players make much of the

    misleading syncopations of the scherzo.

    The syncopations in the first two movements of the Third Quartet op.41. no.3 are equally telling, unsettling in

    the opening allegro molto and deftly confusing the ear in the opening of the assai agitato. The finale is all clipped

    vitality.

    TIM HOMFRAY