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RoxyLabs Up 83% in IPOLocal company surges; typography creditednew yorkRoxyLabs, the local chew-
toy manufacturer, had a spectacular firstday on the nasdaq. Shares of RoxyLabs,priced at $20 each, rose to a high of $40.25before closing at $36.60. RoxyLabs endedthe day with a market capitalization of closeto $517 billion, making it very prestigious.
CEO Vanessa Manganese took the news
in stride. Our performance today showsthat investors believe in our strategy of tak-ing a scientifically insignificant product andsurrounding it with a lot of hype and un-verifiable claims, she said. And of course,impressive typography. next page
the estern los feliz
QUILL & GRAVERyour news source still only
critic at large: hadleigh goff-plinkington
Angeleno Society Demolishes HelicoptersThe Angeleno Society went down in flamesthis past Friday with the debut of MichaelBrodericks new play Black Helicopters.
How bad is it? By the end of the first act,merely bad wouldve been a welcome kind-ness. By the end of the second act, the au-dience, myself included, was reconsideringthe value of free speech in our society.
Broderick (directing, to use an optimisticterm, from his own script) stars as PotipharTewkesbury, a character who is himself aplaywright and director. Autobiographical?You might think so, except that the play issetinexplicably, unbearablyin the year2605. This serves largely as a pretext forthe cast to wear no contd on page
is it art ..........................
business ................... asports leisure ..........
comics crossword ........
petunias bad advice .........
Subscribe or elseget the quill graver
delivered. just mo.call -
THE S UPERB LY SATISFY ING SAN S SE RIF
DESIGNED BY MATTHEW BUTTERICKAVAILABLE EXCLUSIVELY AT CONCOURSEFONT.COM
CONCOURSE
CONCOURSE
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clarity, personality, simplicity, warmth.
Author William Zinsser, in his book On Writing Well,
identified these as the four indispensable qualities of greatwriting. Why indispensable? Because the best writing is
an expression of the writers humanity. These qualities
allow that humanity to shine through. As a writer, I find
Zinssers argument persuasive. And as a typographer,I find that his argument analogizes well to design. The
designers role is to take mundane items and fill themwith warmth and humanity. For instance, a font. What
is it, really? Just a set of tiny black shapes. Yet, as every
reader knows, those little shapes can express a huge range
of emotions and possibilities. This contrast betweenconstraints and possibilities is what anchors my enduring
fascination with typography. Type possesses a strangemagic. One reason I embark on new type-design projects
is to understand that magic better. Another reasonis to have some better fonts. concourseis my firstnew sans serif design in nearly years. Hopefully, Ive
learned a few things. Perhaps most important amongthem is that drawing letters is the lowest form of type
design. The magic inhabits the spaces in betweenon
the page, but also between us as readers & writers. Type
builds a bridge that spans time and space, that connects
us through the written word, that lets us share warmth
and humanity. Theres nothing else like it. mb
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OOD AT SHOULDLICIT A SPONSOF HUH? WOW!AS OPPOSD TOWOW! HUH?
D USCHA
withspecialgue
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Redheaded
Stepchild
SpinnakerLoung
eVistamarHote
lThursJan15
NewalbumonSh
muddleRecordsa
vailablenow
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llrightsreserv
ed
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ANCHESTE
SPOTING CLUBuately ebes Event
BOXING!
WEDS SEPT 297:30 P
its the bantaweight
battle of the season
Solomon'Ice' Berg
This scappy fighte fo ainehas ipoved geatly since
ecent huiliations.
vs.
EletzlThe ystey an fo Zihuatenejois alost undefeated and
uoed to be tige.
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available only atconcoursefont.com
the geometric sans serif typeface has been a staple ofthe typographers toolkit for nearly a hundred years. The first in thecategory was Erbar, the face that inspired dozens of others,including the still ubiquitous Gill Sans and Futura. In the late s,Erbar also inspired American designer W. A. Dwiggins to create Metro.
Born in , Dwiggins started out as a
book designer and illustrator. Hes
credited with coining the term graph-
ic designer in . He would go on to
become an influential type designer too.
Metro, his first typeface, unabashedlyrode on the coattails of the trendsetting
geometric sans serifs from Europe. But
Dwiggins considered those faces to be
overly rigid. His goal for Metro was to
blend the geometric style with more
warmth and personality.
My affection for Metro, however, began
long before Id learned the name Dwig-
gins. As a teenager, I discovered Spymagazine. Spyas designed by Stephen
Doyle and Alexander Isleyopened my
eyes to typography. The two fonts Spy
used the most were Garamond and
Metro. I totally had a crush on them.
Still do.
It was the s, however, so Spywas us-
ing the earliest digital version of Metro,
which had many shortcomings. I always
hoped that some Dwiggins fanand
among American type designers, there
are manywould create a reconsidered
version of Metro.
No one did. So two years ago, I began
Concourse, with the idea of reviving the
original Metro.
What I like about Metro, and the other
geometric sans serifs of its era, is their
unusual adaptability. They can come
across as historical or contemporary,
depending on how theyre used. Likethe best dinner-party guests, they add
personality to the conversation without
dominating it. This is why they remain
valuable tools for typographers.
design notes
If you dont get your type warm it will be
no use at all for setting down warm human ideas.
Id like to make a type so full of
blood and personality that it would jump at you.
w. a. dwiggins
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But when I started studying original
samples of Metro, a funny thing hap-
pened. Though there was much I liked
about Metro (e.g., its distinctive figures),there was also much I disliked (e.g., its
ungainly lowercase). The disappointing
truth emergedas it often does with
teenage enthusiasmsthat the reality of
Metro didnt measure up to my idealized
memories.
Sorry, Metro. Its not you. Its me.
But parting ways with Metro sharpenedthe design brief for Concourse: it would
be a sans family that drew on my affec-
tion for Metro and its era, but that didnt
skimp on versatility, warmth, or person-
ality. For instance
Six weights. In many of todays sans
families, intermediate weights are made
by mathematical interpolation. This buys
consistency, but to my eye, comes at the
cost of too much personality. So I drew
each weight of Concourse individually,
to elicit more personalityelegance
at the lighter end, cheerfulness at the
heavier end.
Small caps. Sans serifs look great in
all-cap settings. So why are small caps
such a rare feature in sans serif families?
Concourse has small caps for all sixweights, stored in separate fontsthe C
series. The C series fonts have the same
uppercase characters as the T series
(used for standard text), but their
spacing has been optimized for all-caps
settings.
Real italics. Traditionally, sans serif
italics are based on sloped versions of
the regular styles. This approach makes
them less useful foremphasis. Its also
a little dull. I took a more vigorous
approach with Concourses italics,
adding flared ends and sharpened bowls
that add contrast and visual interest.
G a r t e rA v e r s eR e c i t eT r i b a l
E s t a t eR e e l e d
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Major & Ray Quit Golfingajor ay uiGoinor Ry it oling
Duplexing. In type, duplexingmeans
matching the widths between styles
so that each character occupies the
same space on the page. This way,you can easily change the weight and
style without affecting your layout. In
Concourse, weights , , , and are
duplexed to each other. (For this reason,
the three lighter weights all use weight
as their bold style by default.) Every
italic is also duplexed to its roman,
including weights and .
Stylistic sets. I checkedtheres no
rule that says a font always has to look
the same. So Concourse has groups of
alternate glyphs that are invoked via
OpenType stylistic sets. Use them as
ready-made options for text and display,
or as a construction kit to assemble your
own creative variations. (More samples
on the next page.)
Figures & fractions. Concourse has
lining figures by default, but also
oldstyle, proportional, tabular, super-
script, and subscript figures, plus a fullset of single-digit fractions.
Widely compatible. Concourse can be
used with nearly all modern document-
layout programs, from InDesign to Pages
to Microsoft Office, Windows or Mac.
No-hassle embedding. The standard
license allows Concourse to be
embedded in PDFs, e-books, apps, andwebsitesno extra charge.
A companion for Equity. If you have my
text face Equity, youll find that it pairs
well with Concourse. (And if you dont
have Equity, you can get it together
with Concourse at a friendly rate. See
page .)
$163
2.08
namesnamesnamesnames
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Standard ModeNot long ago, I discovered that it onlytakes a small number of alternate glyphsto give a headline or block of text a no-ticeably different texture.
That finding led me to add six Open-Type stylistic sets to Concourse(three of
which appear here, and the othersEast-ern Mode, French Mode, and SwedishModeappear on page ).
In body text, stylistic sets arent meantto make a dramatic difference. (In fact,you might initially find it difficult to spot
the differences between these four sam-
ples.) Instead, they let you make subtlechanges to the texture and mood of thetext, which add up over multiple pages.
In headlines and display settings, stylis-tic sets can have a pronounced effect.
Throughout this type specimen, I usedifferent stylistic sets for both text anddisplay.
Briish odeNo on ao, I discovered ha i onyakes a sma number o aernae yphso ive a headine or bock o ex a no-iceaby dieren exure.
Tha ndin ed me o add six Open-Type syisic ses o Concourse(hree o
which appear here, and he ohersEas-ern ode, French ode, and Swedishodeappear on pae ).
In body ex, syisic ses aren meano make a dramaic dierence. (In ac,you mih iniiay nd i dicu o spo
he dierences beween hese our sam-
pes.) Insead, hey e you make subechanes o he exure and mood o heex, which add up over muipe paes.
In headines and dispay seins, syis-ic ses can have a pronounced eec.
Throuhou his ype specimen, I usedieren syisic ses or boh ex anddispay.
Swiss odeNo lon ao, I discovered ha i only
akes a small number o alernae lyphso ive a headline or block o ex a no-iceably dieren exure.
Tha ndin led me o add six Open-Type sylisic ses o Concourse (hreeo which appear here, and he ohersEasern ode, French ode, and Swedishodeappear on pae ).
In body ex, sylisic ses aren meano make a dramaic dierence. (In ac,
you mih iniially nd i dicul o spohe dierences beween hese our sam-
ples.) Insead, hey le you make sublechanes o he exure and mood o heex, which add up over muliple paes.
In headlines and display seins, sylis-ic ses can have a pronounced eec.
Throuhou his ype specimen, I usedieren sylisic ses or boh ex anddisplay.
ermn ModeNot long go, I discovered tht it only
tkes smll nmber o lternte glyphsto give hedline or block o text no-ticebly dierent textre.
Tht nding led me to dd six Open-Type stylistic sets to Concorse(three owhich pper here, nd the othersEst-ern Mode, French Mode, nd SwedishModepper on pge ).
In body text, stylistic sets rent mentto mke drmtic dierence. (In ct,
yo might initilly nd it diclt to spotthe dierences between these or sm-
ples.) Insted, they let yo mke sbtlechnges to the textre nd mood o thetext, which dd p over mltiple pges.
In hedlines nd disply settings, stylis-tic sets cn hve prononced eect.
Throghot this type specimen, I sedierent stylistic sets or both text nddisply.
ST YLISTIC SETS
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RoxyLabs paper st los angeles ca
Pedro Hyacinth
MegaBankers Inc.
1534 S. Broadway
New York NY 10041
Dear Mr. Hyacinth:
RoxyLabs, the leading chew-toy research facility in
the Western Los Feliz area, is looking for a banking
partner to help us considerstrategic business
alternatives andventure financing.
Of course, were familiar with your work on the
ChickenTreats.com IPO last quarter. I think you will
find that RoxyLabs isuniquely well positionedto
leverage its competitive advantage in multiple market
segments.
With very best wishes for the upcoming holiday,
Vanessa Manganese
CEO, RoxyLabs
vanessa manganese
ceo chairman of the boardviolet roxylabs.com
x
RoxyLabs paper st los angeles ca
8/10/2019 Concourse Type Specimen
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Prudes e Fugues, op. 7: B major
Esquisses, op. : C major
3 Le Tombeau de Tieouze, op. 3 Chora e Fugue, op. 57
5 Variaions sur un vieux No, op.
6 Corge e Lianie, op. 9 no.
7 vocaion, op. 37:Aegro deciso
Deuxime Symphonie, op. 6: Preudio
9 pihaame en mineur
Enre, Canzone e Sorie, op. 6
Le Chemin de a Croix, op. 9
Miserere Mei, op. 6:Adagio
3 Psaume XVIII, op. 7
Pome Hroque (avec orchesre), op. 33
5 Offrande a Vierge, op.
robox produit par elaine junipero
ADLB R U TJ O U
DUPR lli s dst. fran o is
lyon franc
Ask your doctor to fulfillyour irrational desire for
side effects may include fatigue, alertness,nausea, hunger, and sleepy-foot syndrome.
not approved in wyoming or new zealand.
You feel healthy nowBut who can put a priceon peace of mind?
We just did.
eview
Arrowri
Pinkinoninmen
e has uneashed
ps mos misbe-r rea ciy: hear Gri.ou woud be oNo, Fye doesncrashes hrouh
wors resaurann hemisphere.oud e you ounmiiaed di-
he waer. Ise pink. Who everIs his how heyIay? I doub i.
nches every dishavoress saucemake i sop?
is he ocaion,ure comin back. Oherwise, i
ny choice a a,ar away.
pace ha ony serves sushi and douhnus?
Down he hach, I uess, because is deicious.
Hamachi ro wih coconu-chocoae aze.
The Thirsy onser Top oor, Hoe NA (323-555-2663)
This midown hospo is he aes rom nih-
cub impresario J. B. Amberon. Pary up, hen
wak i o. Waer; chicken nibbes.
Hans Bix Pizza
432 Bismuh S. @ 14h (213-555-6758)No, he owner is no he ormer UN weapons
inspecor. Thouh he es ha a o. Deicious
sices served in he radiiona Swedish sye.
Braised reindeer wih peso; mush-n-pep.
Veben Cucina 67 Herkimer Ave. @ Sronium (917-555-1478)
Che Thorsen Veben serves he mos exqui-
sie ried-cheese sandwiches in he ciy. Okay,
hey sar a $68 and run o over $450. uaiy
is aways worh i. The Painum Gruyre.
iesauran 14B Fakenbur Paza (213-555-9157)
An innovaive eih-course WiFi menu served
in he Souh American sye. Ea beore you
oi be a on nih. Giabis; erabis.
LAure Poseur Tha minima a 25h 3rd (213-555-4561)
French-ineced cookin by way o onpeier,
Vermon. Be warned: even i you book a abe
in advance, you si need o ip he hos $20
o e seaed. Even hen, worh i. Fromaes ecracoes; es bananes aux poissons.
PLACIBRA(dihydrogen monoxide)
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exit a Wes Isinham 18 km
Emergency & FireVehicles Only
BEWARE OF
FALLING ROCKS
NEXT 350 MI
etro North Local 250ft
Immigration &
Passport Control
estimated4-hour waitfrom here
Pll hndle to flsh
ONC
ONC
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regular bold same as tc
Concourse T2 Had Ringlets Had Ringlets
Concourse T2 italic Had Ringlets Had Ringlets
Concourse c Had Ringlets Had Ringlets
Concourse T3 Had Ringlets Had Ringlets
Concourse T3 italic Had Ringlets Had Ringlets
Concourse c Had Ringlets Had Ringlets
Concourse T4 Had Ringlets Had Ringlets
Concourse T4 italic Had Ringlets 012 Had Ringlets
Concourse c Had Ringlets Had Ringlets
Concourse T6 Had Ringlets
Concourse T6 italic Had Ringlets
Concourse c Had Ringlets
Concourse T7 Had Ringlets
Concourse T7 italic Had Ringlets
Concourse c Had Ringlets
Concourse T8 Had Ringlets
Concourse T8 italic Had Ringlets
Concourse c Had Ringlets
ST YLES t series c series six weights
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uppercase A B C D E F G H I J K L MN O P Q R S T U V W X Y Z
lowercase a b c d e f g h i j k l mn o p q r s t u v w x y z
punctuation , . ; : ! ? -
( ) [ ] { } ' " & * / \ @ _
figures 0 1 2 3 4 5 6 7 8 9 3 5 6 7 9
fractions
1248
numerics $ # % + = < >
symbols | ^ ~
CHARACTERS t series
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uppercase A B C D E F G H I J K L MN O P Q R S T U V W X Y Z
lowercase a b c d e f g h i j k l mn o p q r s t u v w x y z
punctuation , . ; : ! ? -
( ) [ ] { } ' " & * / \ @ _
figures 0 1 2 3 4 5 6 7 8 9
fractions
4
numerics $ # % + = < >
symbols | ^ ~
CHARACTERS t series, italic
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uppercase A B C D E F G H I J K L MN O P Q R S T U V W X Y Z
lowercase a b c d e f g h i j k l m
n o p q r s t u v w x y z
punctuation , . ; : ! ? -
( ) [ ] { } ' " & * / \ @ _
figures 0 1 2 3 4 5 6 7 8 9 3 5 6 7 9
fractions
1248
numerics $ # % + = < >
symbols | ^ ~
CHARACTERS c series
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supported fractions (frac), kerning (kern), ligatures (liga), localized forms forCatalan, Dutch, Polish, and Turkish (locl), numerators and denominators
(numr& dnom), oldstyle figures (onum), ordinals (ordn), small-capforms (c2sc), stylistic sets (as shown below), superscripts and susbscripts
(sups&subs), tabular figures (tnum), uppercase forms (case)
eastern modestylistic set
M a Metropolitan etropolitn
british modestylistic set
M Q R f g l t & &Moorgate oorae Ruislip uisip
Southfields Souhieds
french modestylistic set
E G Q W l t & &LEtoile Loie Quel ue Got o
swiss modestylistic set
M Q f g t Martigny ariny Burgdorf Burdor
german modestylistic set
G Q a f j u Major Mor Schadenfreude Schdenrede
swedish modestylistic set
M Q R W a g j l t u Mjlby by Hgans Hns
alt arrowsstylistic set
all small capsstylistic set in c series
Weve seen 83 Speckled Wumpuses!
weve seen speckled wumpuses
please note OpenType features, including stylistic sets, will only
work if your text-layout program also supports the features you want
to use. Check your manual or support website. Even if certain features
arent supported, the fonts will still work in their default mode.
OpenType features can be accessed using either the standard OpenType
fonts or the OpenType TT (TrueType-compatible) fonts.
OPE NTYPE FEATURES
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the aneleno society presents
BLACK HELICOPTERSA NEW TRAICOMEDY IN THREE ACTS
written directed by
michael broderick
Potiphar Tewkesbury Michael Broderick
Silas Tewkesbury,his father Jacues Reoit
Rene,potiphars wife Lorraine Wardly
Vera Montaue Jill Eversham
Nick Bishop,renes suitor Kenneth Arua
Hamish Fowler,renes cousin Stu Hodkins
Fido Himself
act . kitchen of tewkesbury manor
act . renes studio, connecticut
act . basement of tewkesbury manor
time: autumn, a.d.
there will be two -minute intermissions
please no smokin, munchin, or fidetin
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years of great achievements in web typography
HO TO BE A GOOD GIRL R. T. BOXER
1984 Colombin Wrthog Annl Jnssen, Ed.
The A Prorammin Lanuae Sucie & Lin
BAD BOYS &SOFT TOYS Teddy Bearstone
A PEOPLES HISTOY OF
buttescotch
CEPHALOPODS
o he Upper Los Aneles River
Seemed Like a ood Idea k.s. nystedt
travelers guide to esperanto
TOPOGRAPHY forLIARS brdt
TEMECULAN TIGERS INEZ CRANE
Doyles Encyclopdia ofUnusual Perspiration Re
xford
oxpecke
pess
revisedtwelfthedition
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28 Frnkrt Drmstdt HeidelbergMnnheim
Sttionen E113
4924
D113
346W24
Sch24
D813
284S14
Frnkrt(M) Hb. . bFrnkrtLois . . . .Ne-IsenbrgM.N.B. .Sprendlingen-Bchschl. .Lngen (Hessen) . .Egelsbch . . . . . . . .
Erzhsen . . . . . . . .Wixhsen . . . . . . .Arheilgen . . . . . . . .DrmstdtHb. 125. n
Eil.Z.
|
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ClnHbh. 126
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Wiesbden18 bMinz Hb. b
12
|
DrmstdtHb. 125. bDrmstdt Sd . . . . .
Eberstdt 251 b . . . . .Hhnlein . . . . . . .Zwingenberg . . . . . .Aerbch . . . . . . . .
Bensheim }248 d { n bHeppenheim . . . . . . .Ldenbch (Bden) . .Hemsbch . . . . . . . .
Weinheim {245c . . .246d . . .
roschsen 247e . . .Ldenbrg . . . . . . . .FriedrichseldM.N.B.. n
FrnkrtBsel
NrSonntgsndnFeiertgen
|
|
|
NchPngstdt,nrnWerktgen
Friedrichseld} bMnnheim . . n
|Friedrichseld . . . . bSchwetzingen . . . . n
KrlsrheHb.. . . . nStttgrt293 . . . . n
|Friedrichseld } s..298 bWieblingen . .Heidelberg n
|
Postverbindng nch dem Odenwld.W Nr Werktgs.S Sonntgs im Oktober nd m 1. November.Hlt nr nch Bedr.
Fortsetzng der vorhergehenden Seite
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basic standard
T regular c regular
T italic
T bold c bold
T bold italic
T regular c regular T regular c regular
T italic T italic
T bold c bold T bold c bold
T bold italic T bold italic
Tregular c regular
Titalic
T bold c bold
T bold italic
T regular c regular T regular c regular
T italic T italic
T regular c regular T regular c regular
T italic T italic
T regular c regular
T italic
distinct styles fontswith equity
distinct styles fontswith equity
PACKAGES & PRICES
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File ormasConcourse is deliv-ered in OpenType and Open-Type TT (TrueType-compaible)ormas. Eiher orma can beused wih Windows or ac.
Lanuae supporArikaans,Albanian, Basque, Caalan,he Celic lanuaes (Welsh,Cornish, Breon, Irish, ScoishGaelic, anx), Croaian, Czech,Danish, Duch, Enlish, Eso-nian, Finnish, French, Galician,
German, Hunarian, Icelan-dic, Indonesian, Irish, Ialian,Lavian, Lihuanian, alay,alese, Norweian, Polish,Poruuese, Romanian, Slovak,Slovenian, Spanish, Swahili,Swedish, Taalo, Turkish
LicenseConcourse is licensedon a per-person basis, wihunlimied compuers per person.The license is reundable or days. Discouned muli-userlicenses available. Oher condi-ions applyor he ull license,see mbype.com/license.
This specimenwas made inAdobe InDesin. All he ype isConcourse.
uesions? Email me [email protected].
on the subject of e
Im a wrier, yporapher, andlawyer in Los Aneles.
I wroe he websie andbook Typoraphy or Lawyers(yporaphyorlawyers.com),or which I received he LealWriin Insiues GoldenPen Award. In , I creaedhe web-based book BuericksPracical Typoraphy(pracicalyporaphy.com).
y oher ons include HeraldGohic, Wessex, Hermes, Alix,and Equiy (equiyon.com).
Aer ein my deree invisual & environmenal sudiesrom Harvard Universiy, Isared my career as a ypedesiner and enineer, workinor he Fon Bureau and a-hew Carer.
A he beinnin o he Inerneera, I moved o San Franciscoand ounded Aomic Vision, awebsie desin and enineerinsudio, which laer became paro Red Ha, he open-sourcesoware company.
Laer, I wen o UCLA lawschool and became a member ohe Caliornia bar in .
I live in Hollywood wih my wieJessica and our boxer, Roxy.
For heir help wih Concourse,I hank Josh Korwin, IndraKuperschmid, Andr ora, andErik van Blokland.
Dedicaed o my rs
yporaphy eacher,
Gino Lee (ypo.la/ino)
ahew Buerick
dbaB Type
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