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8/6/2019 Eduardo Moguillansky: Limites v3 (solo) | Score
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&4
5
Trumpet 1
A t A t A A A
(only tongue, no air)
do not fix it to the bell: use as a plunger
(as closed as possible)
q=96
+closedcirc
/t(i)/
sord .: CUP - Denis Wick
J pitchless
measures 1-51 can be left out ad libitum
+closedcirc simile
A A A A A A A A A A A A A A A
&Tr.1
5
A A A A A A A A A A A A A A A A A A A A
&Tr.1
9
A A A A A A A A A A A A A A A
poco A A A A A
// poco
&Tr.1
13
A A A A A
// poco A A A A A
// poco A A A A A
D t
//
( )+closedcirc
open1/4
A A A A A
+closedcirc
// /t(i)/
poco
&Tr.1
17
A A A A A
// poco
A A A A A
// poco
A A A A A
// poco
A A A A A
D t
//
&Tr.1
21
A A A A A
/d(u)/
A A A A A A A A A A A A A A A
&Tr.1
25
A A A A A A A A A A A A A A A A A A A A
[1/10]
límites III eduardo moguillansky (2006-9)[für einen trompetenspieler]
a valentin garvie
8/6/2019 Eduardo Moguillansky: Limites v3 (solo) | Score
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&Tr.1
29
A A A A A A A A A A A A A A A A A A A A
&Tr.1
33
A A A A A A
A A A A
rall.
A A
A A A A A
A A A
&Tr.1
37
A
A
A A A A A
A A A A A
A A A A A A
&Tr.1
41
A A A
A A A A A A
A A A
&Tr.1
45
A A A A A A A A A A
A
&Tr.1
49
A
A
A
q=60
A
&Tr.1
53
A
["hut"]slap
[2/10]
8/6/2019 Eduardo Moguillansky: Limites v3 (solo) | Score
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&Tr.1
57
&47 44 85 4 6
Tr.1
61
3
3
5
t
q=84
5
t
q=76
slap
transition to pitch
&4 6
44
83
45
8 9
44
Tr.1
66
q=69
non slap
q=66
[loose embouchure]
q=60
q=54
&4
4
4
7
4
4
8
5
4
6
4
4
Tr.1
71
amount of Hand Vibrato accompanying the dynamics
q=48
q=84
2 crescdecr<>
open1/4
j
5
q=76
open1/4( cresc.
( cresc.
j
j
q=69
Ó
½ valve
&44
83
45
8 9
Tr.1
76
j
j
j
3
q=66
Ó
simile
o
3
j
j
j
q=60
Ó
+closed
+beatings
open1/2
+closed
o
3
j
j
j
Ó
+closed
open1/2
o
+closed
3
j
5 j
j
Ó
+closed open1/2
ten.
+closed
&
8 9
44
Tr.1
81
3
j
5 j
q=54
Ó
+closed
openo
o
+closed
3
j
5 j w [squeezy vowel sound, as preparationfor lip-multiphonic]
Ó
+closed
openo
++beatings
+closed 3
j
j
5 j
q=48
Ó
+closedopeno
+closed
3
j
j
5
3
j
j j
j
Ó
+closedopeno
+closed
[3/10]
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&45
85
47
44
85
Tr.1
85
3
jj5
5
j j
Ó
+closedopeno
+closed
o
3
jj5
5
j j 55
+closed
Ó
openo
+closed
o
j5 j5
5
i55
5
q=88
Ó
+closedopeno
+closed
o
5
j5 j5
3
j55
q=84
Ó
+closed
openo+closed
o
3
jj5
q=76
Ó
+closed
\IDddddddDD
&85
4 6
44
83
45
8 9
Tr.1
91
3
j5
55 5
openo+closed
o
jj5
5
j555
5
55 5
5
q=69
Ó
+closed
\IDddddddDddDbddDddDb
openo+closed
o
5
j5
j5
55
5
q=66
\IDddddddDDbDDddDb Ó
+closed
openo
55 5
+closed
o
5
j5
D
5
j555
55 j5
3
jj
q=60+closed
\IDddDDbddddddDbddDb
openo+closed
2 crescdecr<>
5
j5
D
3
j555
55
D
j
3
jj
+closed
\IDddDDbddddddDbddDb ( cresc.
openo
sub
+closed
o
&8 9
44
83
45
Tr.1
97
jj5 j555
5 55 j5 j
53
q=54
\IDddDDDbdddddDdDbddDDbdddDb
openo+closed
2 crescdecr<>
openo
+closed
o
3
j5 D
j555
5 5 55 j5
3
q=66
\IDddDDDbdddddDdDbddDDbdddDb
2 crescdecr<>vib.
jj
3
o
3
j5 j555
3 D j j
3
55 j5
q=60
\IDddDDDbdddddDdDbddDDbdddDb
+closed
vib. 2 crescdecr<>
openo
+closed
o
3
j5 j555
3 D j j
3
55 j5 \IDddDDDbdddddDdDbddDDbddd
vib. 2 crescdecr<>
openo
+closed
o
&8 9
Tr.1
1023
j5 j555
3
55
j j 55 j5 \IDddDDDbdddddDdDbddDDbdddDb
+closed
( cresc.
openo+closed( cresc.
openo
2 crescdecr<>
j5
3
jj 5
5
j555
5
55
55
j j
fix mute to bell andtake second trumpet
o
\IDddddddDbDddddDbDddDbddDb Ó
2 crescdecr<>
o
3
jj 5
5
j555
5
55
j5
5
55
j j
\IDddddddDbDddddDbDddDbddDb Ó o
j5 j555
5
55
5 55
3
55 j
5 &
Ó \IDddDDDbdddddDdDbddDDbdddDb
2 crescdecr<>
o
Tr. 2(tuned approx. one quarter-tone lower)
&
&
8 9
43
165
44
Tr.1
Tr. 2
106
5 555
5
55
5 55
3
55 j
5 5
q=54
Ó \IDdDDdDDDbddDdddDdDbdddddDDbdddddDb
2 crescdecr<>
o
5 555
5
55
555
3
55 j
5 5 5
5
i5
2 crescdecr<>
Ó \IDddDDDbA)DDDDbA)DDDDbA)DDDDbA)DDD
2 crescdecr<>
o
/
5
3
5 555
5
55
55
55
55 j
+
3
5 5 55
i55 5
q=50
Ó
// [1]
½ valve vib.
o
/ [
5
3
5 555
5
55
5 55
3
55 j
3
5 5 55
5
55
5
q=48
( cresc.
//
o
% %% %% %% %% %% %% %% %% %% %
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&
&
45
85
45
Tr.1
Tr. 2
/ [110
5
3
5 5
5
5
5
5
5
5 55
5
55 5
5 j
5
3
5 5 55
5
55
5
( cresc.
//
V fermatavtriangular
/ [3
j 5 5 ˜ D
5
5
5
5
5
55
55
3
5
5 j
j5 5 ˜ D
55
5
55
˜ 3
o
//
( cresc.
V fermatavtriangular
/3
5 j5
3
j5 ˜ D
5
5
55
3
55 j5
5
3
5 j5
3
5
˜ 55
55
5 5
3
q=88
( cresc.
//
3 (1)3
5
5
5
5 j
˜
5
V fermatavtriangular
o
&
&
45
85
47
44
85
4 6
Tr.1
Tr. 2
/114
5 j5
3
j5
˜ D
5
3
55
55
55
3
55 j5
5
5 5
3
5
˜
5
3
55
55
5 ˜
5 ˜
3
( cresc.
//
3 (1)3
55
55 j
˜
5
3
V fermatavtriangular
j5
3
j5 j5
˜
3
55
5 555
3
55 5
5 55
j m
5 3
5 5 ˜
3
55
5 55
5
I˜
q=84
4 decresc decrescendosubitodiminuendo 2 crescdecr<>
j5
3
j5 j55 \ ˜
3
55
55
555 D
55
D
5 3
5 5 ˜
3
55
5 ˜
55 D D
q=76
decrescendosubitodiminuendo 4 decresc
5
55 5
5 5
5 j j
I
5
V fermatavtriangular
2 crescdecr<>
l i p
&
&
4 6
44
83
45
8 9
Tr.1
Tr. 2
119
j5 j5
˜ D
Ò
3
55
55
5
5
555 D
55 D
5
55 5
5 55
5
55
j j
5 5 ˜ Ò 3
55
55
5
5
55 D 5 D
5
5 5
q=69
1 cr1cresc
V fermatavtriangular
decrescendosubitodiminuendo
V fermatavtriangular V fermatavtriangular V fermatavtriangular
323
3
j5 j5 ¤
5
˜
Ò
|||||
55
3
55
555 ¤
3
55
5 55¤ 5
/5 5
5¤
3
5 5 ¤
5
˜
Ò 55
3
55
55¤
5
3
5 5 5 ˜ ¤
q=66
( cresc.
23
V fermatavtriangular HV
1 cr1cresc
123
3
55
j jj
3
V fermatavtriangular V fermatavtriangular
*) falls down together with tr. 2
V fermatavtriangular
j ¤
j5 j5
5
¤
˜
Ò
˜ ¤
||||
55
3
55
55
5 ¤
3
55
55
¤
55 5
5 /
55 5
5
3
5j5
j5
*) increase the H.V. at the end sothat the sound almost breaks(keep blowing)
¤
5 5
5
>>>>˜ 5
¤
55
3
55
55
j5 5
¤
3
5 ˜
5 ˜ ¤
5 ˜
3
5 5 5
q=60
1 cr1cresc
V fermatavtriangular
HV
1 cr1cresc
*)
decrescendosubitodiminuendo
1 cr1cresc
*)
(*) approx.
wwwwww<
l i p
l i p
wwwwww<
l i p
l i p
l i p
l i p l i p l i p
[5/10]
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&&
8 9
83
85
87
44
Tr.1
Tr. 2
123
m 5 ¤
5
˜ Ò
iiiiiiiii
˜
iiiiiiiiiiii
55
3
55
55
55 5
D 3
555 ˜
D 5 ˜ 5
5
/55 5
5
D 3
5 5 j5 j
5
5 D
5
˜
Ò ˜
55
3
55
55
55
5 D
3
55
5 ˜ D
5 ˜ 3
5 5 5
3
q=54
( cresc.
|
HV
1 cr1cresc
V fermatavtriangular
decrescendosubitodiminuendo 1 cr1cresc
V fermatavtriangular V fermatavtriangular
(*) approx.
*)˜ ¤ iiii
Ò D
5
˜ Ò
t
˜
55
5 ¤
Ò ¤
5
˜
Ò
t
˜ ¤
55
e=96
1 cr1cresc
HV
( cresc. C decresc
55
55 5>>>>
3
5555 j
55
55>>>>
5
5
5
5
/55 5
5 >>>>3
5 5 5
55
55
5¤
3
5 ˜
55 55 ¤
˜
5
3
5 5 j5
vib.
V fermatavtriangular 5
¤
˜ Ò
t
˜
55
55
3
55
55 ¤
5¤
55 5
5 ¤
5
5
5
5
5
5
5
5
55 ¤
5
5
/55
55 ¤
3
5 5
5
˜ Ò
5 55
55
3
55
55
¤
5 ¤
55
55
¤
5 j5
e=84HV
( cresc. decrescendosubitodiminuendo 1 cr1cresc
vib.V fermatavtriangular
l i p
wwww<
l i p
wwwwwwwwwww<
l i p l i p
wwwwwwwww<H
l i p
&
&
44
85
4 6
43
85
45
Tr.1
Tr. 2
127
j5 j
¤
Ò iii
5
3
˜ 5
Ò
iiiiiiiiiii ˜
55
3
55
55¤
5 Ò
/5 Ò
5¤
5 ¤
Ò 5
3
˜ 5
Ò
˜
55 3
55
55 ¤
5 ¤
q=76
V fermatavtriangular
ten.
*)
*) like cut-off
HV
23 digifinger
4 decresc
1 cr1cresc
3
55
¤ ¤ ¤ ¤
5
5
5
5
j55 ¤
55 /
5 ¤
5 5¤
5¤
3
55 5 5
3
55 J
55
¤ 3
5 5 5
0 digifinger
( cresc.
23 digifinger 0 digifinger
2 crescdecr<>
V fermatavtriangular
3
¤ ˜
Ò
j ˜
55
55
5
55 ¤
5 Ò
5
/ Ò
5 Ò
5¤
3
55 \
¤ ¤ ¤
55
¤ ¤
j55>>>> ˜ 5
j5 5 ¤
5¤
5¤
55
3
¤ ˜
Ò
˜
55
55 5
55 ¤
5 5
Ò 5¤
3
55 J
55 ˜ 5 ˜
5
q=69
( cresc.
HV
( cresc.
||
|
V fermatavtriangular 123 digifinger
1 fingerdigi23 digifinger
1 cr1cresc
0 digifinger
23 digifinger
V fermatavtriangular 1 fingerdigi
5 ¤
˜ Ò
t
3
˜
Ò 55
55
3
55 ¤
5¤
Ò
5 ¤
˜ Ò
t
3
˜
Ò 55
55
3
55 ¤
5
q=66
( cresc.
HV
secco
V fermatavtriangular
1 cr1cresc
3
5 ¤
Ò 5 \
5 5¤
55 5 \
¤ ¤ ¤
3
55 5 \¤ ¤ ¤
55¤
55 5¤
5¤
5¤ j
5
5
3
5 Ò 5 5
53
5555 55
1 cr1cresc
<
1 l i p
l i p
wwwww<wwwwwwwwwwwwwwwwwww<
&
&
45
8 9
87
8 6
Tr.1
Tr. 2
132
¤
˜ Ò
t ˜
Ò
55
55
3
55
55 ¤
5¤
Ò j5
3
5¤
5 / Ò
5 t 5 t5
5
"
5¤
55 ¤
¤
3
¤
55 ¤
55 55
5
5
¤
¤
/55
5 s5 s
¤ ˜ t
Ò
˜
Ò
55
55
3
55
55 5
3
5 5 55 ¤
¤
3
¤
55 ¤
55
55
q=60HV
( cresc. 1 cr1cresc
13 digifinger
1 fingerdigi
0 digifinger
4 decresc
23 digifinger
13 digifinger 1 fingerdigi
3
˜ Ò
¤
˜ Ò
˜
3
55
55
3
55 5 >>>> Ò 5 \5
3
5 Ò 5 5
5 >>>>55
3
5>>>>3
55 5
5 t
3
˜
Ò
˜
3
55
55
3
55
5 5 Ò
3
˜ 5
5 55
3
5 55 5
q=54HV
( cresc.
molto
0 digifinger23 digifinger
0 digifinger
\IDddDDbdddddddDbddDDbdddddDbddddDb
123 digifinger
2 digifinger23 digifinger
12 digifinger
( cresc.
1 fingerdigi 13 digifinger
123 digifinger
3
˜
Ò
3
55
5
55
5
55
j 5 ¤
Ò 5 ¤
\5 55¤
5 s5 s5 s
3
5 ¤
Ò 5
3
55 ¤
5¤
5 ¤
3
˜
Ò
3
55
5
55
5
55
j 5 5
3
55
¤
5¤
5 ¤
e=84
decrescendosubitodiminuendo
2 crescdecr<>
V fermatavtriangular
23 digifinger0 digifinger
123 digifinger
23 digifinger
( cresc.
123 digifinger
12 digifinger
0 digifinger12 digifinger C
w<H
H
[6/10]
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&
&
8 6
45
44
87
Tr.1
Tr. 2
135
3
˜
Ò 55
55
3
55
55 j 5 >>>> Ò
3
5 5¤
\5¤
5
¤
5 ¤
5¤
5 ¤
Ò 3
5 5 5
¤ 5
¤
3
˜
Ò 55
55
3
55
55
j 5
3
5 5
3
5 5 5¤
5
e=69
2 crescdecr<>
23 digifinger
123 digifinger
( cresc. ( cresc.
123 digifinger
12 digifinger
0 digifinger
123 digifinger
˜
>>>> Ò 5
5 3
55
55
55
55
55 3
55 5 Ò 5
3
55 ¤
5
3
5 /5 5
¤
5¤
5¤
3
5 ¤ 3
Ò 5 j >>>>
˜ >>>> Ò 5
5
3
55
55
55
55
55 3
55
>>>>5 Ò
5>>>>
3
5
q=63From here to the end of the piece there is a veryslow accelerando written out in the tempi of eachmeasure. Even if no metronomical rendition isintended, the general shortening in the length of each measure should be clearly audible.
1 cr1cresc
2 crescdecr<>
0 digifinger
123 digifinger
0 digifinger12 digifinger
1 cr1cresc
w comma,
( cresc.
[1]digifinger
0 digifinger
55
55
55 55 55 >>>> Ò
55 >>>>
3
5
3
5 5 5
¤
5
/5
5 ¤
5¤
5¤
5 >>>> Ò 5 ¤
55
55
55 55 55
Ò 5
3
5 5 5 5 555¤
Ò 2
q=50
23 digifinger 0 digifinger
12 digifinger
1 fingerdigi 13 digifinger
123 digifinger
4 decresc
|||
[3]digifinger
123 digifinger
1 fingerdigi
H
&
&
87
45
44
Tr.1
Tr. 2
138 5
t
55
55
5
55 55 55
¤
5
Ò 5¤
3
55 5
¤
5 5 5 5 5
5
5 5 ¤
5 Ò
5¤ 5 s
5
55
55
5
55
5 ¤
5
Ò 5 5
5
˜ ˜
5
5
e=88
2 crescdecr<> 2 crescdecr<>
VT
12 digifinger
123 digifinger
12 digifinger
13 digifinger
1 cr1cresc
2crescdecr<> 3 digifinger 0 digifinger
3
55 5
5
5
55
55
55 55 5 5
Ò
¤
5 5
Ò
¤
5 3
5
¤
5 /
5 55
3
55
55
5
55
55
5 5 ˜
˜
˜ ˜ 5
5 ¤
5 Ò
5¤
5
s
3
J5
j
e=80
w comma,
123 digifinger
12 digifinger
2 crescdecr<>
1 fingerdigi
12 digifinger
123 digifinger
0 digifinger
( )
23 digifinger
1 cr1cresc
2 crescdecr<>
12
3 digifinger
1
2digifinger
123 digifinger
3
55
55
3
55
55
3j5555 5
Ò
¤
3
5¤
"
55 5
3
5 5 ˜ j5 ˜
3
5
Ò
5 t 5 t
3
55
55
3
55
5
5 3
J
55 5
Ò
¤
3
5 5
3
˜
3
3
3J j
q=64
from here on, the "x" meaning 1/2 valve
are intended to differentiate the timbreof each trumpet so that it is more clearthe shifting of focus the two.
2 crescdecr<> 2 crescdecr<>
13 digifinger
0 digifinger
1 fingerdigi 0 digifinger13 digifinger
( )
1 cr1cresc
2crescdecr<>
1 fingerdigi
H
% %% %% %% %% %% %
&
&
44 87 45 8 9
Tr.1
Tr. 2
1417:4
5 t55
55 55 5
>>>>5 5
Ò
>>>>55
3
5 ¤
5
"
5 >>>>
Ò
>>>>5
/5 5 5 5 t
7:4
55
55 55
5 55
¤
Ò
3
q=48
2 crescdecr<>
2 crescdecr<> 2 crescdecr<>
2 digifinger
23 digifinger
( )
4 decresc2 crescdecr<> 2 crescdecr<> 2 crescdecr<>
7:4
55 55 55 5
¤
5 Ò ¤ 55 5
Ò
¤
5 5 \ s 5 s 5 s
5 >>>> >>>>
Ò 5 \
¤
5 5¤
7:4
55
55 55 5
>>>>5
e=88
2 crescdecr<> 2 crescdecr<> 2 crescdecr<>
( )
2 crescdecr<> 2 crescdecr<> 2 crescdecr<>
5
5 t 55 55 i55
3
5 Ò
¤
5555 5
/¤
5 ¤
5 Ò
¤
55 5 Ò
¤
5 ˜ 5
¤
5 \
s¤
5 s 5 s 5 s 5 s5
5
55 55 I
3
5 5
5
q=64
2 crescdecr<>
2 crescdecr<> 2 crescdecr<>
// ( cresc.
2 crescdecr<> 2 crescdecr<>
HH
[7/10]
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&&
8 9
87
45
44
Tr.1
Tr. 2
144
7:4
5 ¤ 55 55
5
I
¤
Ò 5
5¤
5 5 5¤
5 ¤
Ò
¤
7:4
55 55 I55
5 55 5 ¤
Ò J
5
q=56
2 crescdecr<>
2 crescdecr<>
//
2 digifinger
23 digifinger
1 fingerdigi2 digifinger
( )
( cresc.
HV
2 crescdecr<> 2 crescdecr<> 1 fingerdigi
13 digifinger
13 digifinger
5
55 55
5
i55
7
j Ò
5 Ò
¤
5 5 Ò ¤ 5
5/
5 ¤
5 Ò
¤
˜ 5 /5 5 5s
¤
5
55
55
5
I
7
e=920 digifinger
2 crescdecr<>
23 digifinger
2 crescdecr<>
13 digifinger
( cresc. Z ( cresc.Z
0 digifinger12 digifinger
123 digifinger
2 crescdecr<> 2 crescdecr<> 13 digifinger
2 digifinger 123 digifinger
5
55
55
3
j Ò
5 >>>>
Ò
5 3
j5
5 >>>>
Ò 5
5
/5 5 5
>>>> Ò
5
5
55
55 55
j5
3
5 Ò
5 Ò 5
3
q=69
|| Z
w comma,
12 digifinger
23 digifinger
2 digifinger2 digifinger 1 fingerdigi
&
&
44
87
8 6
45
Tr.1
Tr. 2
147 5
55
5 ˜ j
Ò
f Ò 5
3
5 5 \5
5 5 Ò ¤
5
55 55
3
Ò
5
q=5413 digifinger
123 digifinger
23 digifinger
2 digifinger
1 fingerdigiHV
3
5 55
5 ˜ Ò
/5
5
5 >>>>
Ò 55
j
˜
5
t ˜
5
t
5 5 >>>> Ò s
3
5 ˜
5
3
e=96 w comma,
w comma,
3
55¤
55
3
>>>>
Ò 5
5 >>>>
3
5 >>>> Ò ˜ 5
5 ¤
˜
5
¤
5
˜
¤
˜
5
3
5>>>> Ò 5 >>>> Ò
3
55 555 5 5
3
3
e=84
( )
( cresc.
2digifinger
23 digifinger2
digifinger
wwwwwwwwwwwww<
&
&
45
44
43
44
Tr.1
Tr. 2
150
55
˜
5
¤
5
˜
5
˜
5
55
5
f Ò
5 \5 Ò t 5 Ò
¤
5 ˜ 5
¤
5¤
55
5
q=74tranquillo
123 digifinger
23 digifinger
HV
( cresc.
123 digifinger
2 digifinger
2 crescdecr<>2 digifinger
23 digifinger
3
5 5 5 5
3
f
Ò 5 >>>> s 5 s 5 s 5 s 5s
j5
¤
5 Ò
¤
q=58
23 digifinger
sub
2 digifinger 23 digifinger
2 digifinger
In the pauses of the following 4-5 bars take outthe mute very slowly, only a little bit at a time.The dynamics should be compensated in orderto achieve a smooth transition (the taking outof the mute could even begin before, in whichcase the 2nd. trumpet should also be put asidebefore).
2 digifinger
123 digifinger
12 digifinger
123 digifinger
13 digifinger
123 digifinger
J55
f
Ò
>>>>
5
Ò \ 5 r¤
5 ¤
5 ¤
5¤
3
5 Ò ¤
5 Ò / s5
s
r
5
5 5 5 Ò >>>>3
3
j55
3
q=46
2 digifinger 1 fingerdigi123 digifinger
13 digifinger
HV
12 digifinger2 digifinger
( cresc.
wwwwwwwwwwwwwwwwwwwwwwwwwwww
[8/10]
8/6/2019 Eduardo Moguillansky: Limites v3 (solo) | Score
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&44
43
44
87
Tr.1
153
3
55 3
f
Ò
¤
5 Ò \ 5
¤
y 5¤
5¤ r 5 ¤ 5
¤
5
Ò \¤ r 5
>>>>5 5 5 5
>>>> s
q=62
23 digifinger2 digifinger 2 digifinger
12 digifinger
13 digifinger23 digifinger
3
Ò
¤
Ò /5 Ò
¤
5
¤
5 5 >>>> \
5 >>>>5
>>>>5>>>>
5 >>>>
5 >>>>q=52
HV
( )
5 >>>> \
5 5
5 >>>>
Ò 5 s
¤
f >>>> Ò
f
Ò
/5 Ò
5y
s
5
s
3
5 \ 5 5 5 5 5 5
¤
s s s s s
q=69
0 digifinger3 digifinger123 digifinger
23 digifinger
13 digifinger
www<
&87
45
43
44
Tr.1
156
j f
Ò
¤
j f
Ò
/
¤
5 Ò
5y
s
5
s
5
s
5 s
\5 s 5 5
5 5 >>>>
5 >>>>
q=60senza sord.
HV 123 digifinger
13 digifinger
f f
/ Ò
5
s¤
5
s
5
s
5 r 5
˜ >>>>
\5 >>>>
5 Ò
¤
5 5
Ò
¤
5 5
3
5 s
5
Ò
¤
5 Ò
5 Ò
¤
q=92
HV
( )
ossia
2 digifinger12 digifinger IJ
5
Ò
Ò
5 Ò
¤
\5 sy 5 s 5 s
¤
5 s5 s
5>>>>
Ò
q=60HV
2 digifinger
HV
( cresc.
ww<wwww<
wwwwwwwwwww
&
44
85
83
45
43
Tr.1
159
5
\
5 ¤
5 5 w
5
5 s
¤
/5 r
¤
5 5 y 5 Ò
¤
5 Ò
¤
Ò
Ò
5 Ò
¤
y
\5
¤
5 ¤
5 ¤
5 y
3
5>>>>
Ò 5
Ò \
5 s
q=8612 digifinger
2
3 digifinger
23 digifinger2 digifinger
13 digifinger
5
¤
/5 r 5 5
¤
5 ¤
5 y t
5 t5
Ò
5
Ò
¤
/
5 5 r 5 5 s
e=116
( )
13 digifinger
123 digifinger
2 digifinger3 digifinger
HV
w comma,
2 digifinger
12
3 digifinger
1 fingerdigi
1 cr1cresc
5
˜ >>>>
\5
>>>>5 s
5s 5 >>>> / s s s
e=72HV
molto
ossia
( cresc.
5 ˜
\5 >>>>
5 >>>>
r
J5 ¤
5 s5 s
3
q=126ossia
HV
cresc.
ww< wwwwwwwwww<
&
43
45
43
47
4 6
Tr.1
163
J5 s 5 >>>>
q=80HV
molto
3
J5
q=132HV
molto
cresc.
3 5
q=80simile
5 s
q=192www<
&4 6
43
Tr.1
167
5 s
q=180
444444
q=90
IJJ5 s
molto secco
IJJ5 s
IJJ5 s
[9/10]
8/6/2019 Eduardo Moguillansky: Limites v3 (solo) | Score
http://slidepdf.com/reader/full/eduardo-moguillansky-limites-v3-solo-score 10/10
&Tr.1
172 IJJ5 s
IJJ5 s
IJJ5 s
(non dim.)
IJJY s
remove one ventil. try t match theprevious pitch as close as possible.
IJJY s
IJJY s
&Tr.1
178 IJJY s
IJJY s
IJJY s
IJJY s
IJJY s
[10/10]
![[Eduardo Viveiros de Castro] Metaphysiques Cannibales](https://img.pdfslide.fr/doc/110x75/56d6bdbe1a28ab30168f275a/eduardo-viveiros-de-castro-metaphysiques-cannibales-56ddfd412aab2.jpg)
