hsCHIRMER - a & m إ’UVRES CHOISIES s A. Collection of Favorite Compositions for the Pianoforte EDITED

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    m ŒUVRES CHOISIES s A. Collection of Favorite Compositions for the Pianoforte

    EDITED AND FINGERED BY EMINENT MASTERS 0

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    'AU^A> - y .

    F IR ST SER IES S T E P H E N H E L L E R . Im provisata. Op. 18, ----- Schlummerlied (Slumber Song), ----- Nâpoli, 2me P e tite T aran te lle , ----- T aran te lle . Afctmaj. Op. 85 No. 2, ----- W iegenlied (Cradle Song), ----- Die Forelle (La Truite) (F. Schubert). Op. 33, ----- A llegretto con grazia. Op, 82 No. 9, ----- B luette (Andante con moto), G^maj. Op. 82 No. i l , 35 ----- B luette No. 2, Gmaj., ----- Frühlingslied (Spring Song), ----- Jagd lied (Hunting Song), ----- Im H erbst (Lu Autumn), ----- B rooklet, ----- C oquetterie, ----- L ’A valanche,

    AD. H E N S E L T . L iebeslied (Love Song). Op. 5 No. 11,35 ----- L a Gondola. Op. 13 No. 2, ----- F rühlingslied (Spring Song). Op. 15, ----- W iegenlied (Cradle Song), ■—— Poëm e d’Amour. Op. 3,

    H. H O F M A N N . Aus schôner Z e it (Poëme du Souvenir). Rêverie,

    ----- B arcarole, Gmaj. Arr. by R. T hallon,

    H. H U B E R . G avotte, Emin. Op. 14 No. 1,

    S. JA D A S S O H N . W idm ung (Dedication), ----- L a Sylphide (A ir de Ballet), ----- Scherzo (in form o f a Canon), Fm aj. Op. 35 No, 3, 35

    AD. JE N S E N . Die Mühle (The M ill) , ----- F rohlicher W anderer (Happy Wanderer), ----- Irrlich ter (Will-o’-the-Wisp),

    H. K JE R U L F . W iegenlied (Cradle Song)

    T H . K U L L A K . Scherzo, Fm aj., ----- P asto ra le , Gmaj., F . L IS Z T . Ave M aria, d'Arcadelt, ----- M aiden’s W ish (F. Chopin), ----- Le R ossignol ( The Nightingale), Mel. Russev

    J. S . BACH. Loure from 3d C ello-Suite (Heinze), -—— 2 G avottes, Dm. and Gm. (Bülow), ----- Prelude, Cmim (A. R. Parsons), ----- G avotte, Em aj. (C. Saint-Saëns),

    W . B A R G IE L . Pensée Fugitive, Gmaj. ----- Idylle, Gmaj. — - Tem po di M enuetto , E^maj. ----- M arcia F an ta s tic a . Op. 31 No. 3, L . VAN B E E T H O V E N . M arche à la T urque

    (A. Rubinstein), F iir E lise .” Albumleaf,

    3535 ll 2550 3535 5035

    ! 2535 7525 3535

    5 0 25 2535 6o35 50W . S T . B E N N E T T . 3 M usical Sketches. Op. 10.

    Complete, ----- T he sam e s in g ly . No. 1. T h e L ake,

    No. 2. T he M illstream , No. 3. T h e F ountain ,

    85 25 2535

    0 2535 35

    ----- Rondo Piacevole, ----- Barcarole from 4 th Concerto,

    B O Ë L Y . D anse V illageoise,

    75 50 [à 50 65

    3535 85F . C H O PIN . T aran te lle , Ajpmaj. Op. 43,

    ----- M arche funèbre from Op. 35,

    T H . D Ô H L E R . N octurne, Dpmaj. Op. 24,

    N. W . G A D E. Im W alde (In the Woods), ----- Albumleaves No. I, B^maj.,

    No. 2, Sylphiden, No. 3, B^maj.,

    ----- Scherzino, Dmin, (Aquarelle), ----- Frühlingsblum en (Spring Flowers)’.

    No. 1, Fm aj.; No. 2, B^maj.; No. 3, Dmaj., each,

    EDV . G R IE G . A lbum blatt (Albumleaf), Em in., -----A llegretto , Cmaj.,

    G. F . H A N D E L . A ir and V ar. “ H arm onious B lack­ sm ith ” (Bülow),

    S T E P H E N H E L L E R . Il Penseroso, P e tite T aran te lle , Emin.,

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    m . ŒUVRES CHOISIES A C o llec tio n o f F avo rite C om positions for the P iano fo rte

    EDITED AND FINGERED BY EMINENT MASTERS 0

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    THIRD SER IES lA A. A R E N S K Y . L ogaœ dics. Op. 28, No. 1

    L . VAN B E E T H O V E N . M enuett in Ejj ----- S ix M inuets ----- V aria tions on “ Nel cor più non mi sen to ----- S ix E asy V aria tio n s on an O riginal T hem e ----- S ix E a sy V aria tions on a S w iss Song ----- S ix “ L àndrische T an ze ”

    C. M E N G E W E IN . G nom entanz. Op. 6 W . A. M O Z A R T . M inuet No. i , w ith T rio , in G ----- M inuet No. 6, in D I. J . P A D E R E W S K I. M enuet. Op. 14, No. 1 N. R IM S K Y -K O R S A K O W . Romance.

    No. 2 S C A R L A T T I-T A U S IG . P asto ra le P . S C H A R W E N K A . Tem po di M enuetto A. S IM O N E T T I. M adrigale H. S T IE H L . U ngarisch (H ungarian A lbum -Leaf).

    Op. 79, No. 2 A. S T R E L E Z K I. Sérénade. Op. 191, No. 4 C. M. v o n W E B E R . M ouvem ent perpétuel N. v a n W E S T E R H O U T . R êverie N. VON W IL M . Am Spinnrocken (Spinning-W heel) 35 ----- H um oreske. Op. 47, No. 2 ----- Interm ezzo. Op. 8, No. 5 ----- M azurka. Op. 8, No. 2 •-----M elodie. Op. 138, No. 1 ---- - Rom anze. Op. 47, No. 1 ED V . G R IE G . A lbum blad (A lbum -Leaf) in Bfc> A. B IR D . A S k e tch . Op. 15, No. 1 T H . L E S C H E T IZ K Y . Op. 40, No. 4. M élodie à

    la M azurka A. K O P Y L O W . Op. 39, No. 1. Prélude L. v a n B E E T H O V E N . G ertrude’s D ream W a ltz 30 A. v o n F IE L IT Z . Op. 16, No. 1. B erceuse J . O F F E N B A C H . B arcaro lle (In term ezzo from

    L es C on tes d'Hoffm ann ” ) ■EDV. G R IE G . Som m erabend (Som m eraften). Op.

    71, No. 2 G. K A R G A N O F F . S ty rienne (Landler). Op. 21, No. 5 40 T H . L E S C H E T IZ K Y . Second N octurne. W . P O P P . F orget-m e-not. Op. 271

    60So 25 25

    m5° 2 550 50

    50 Op. 15, 35 25 35 35

    ----- Seven “ L andrische T ànze H ungarian D ance No. 3, in F

    35 25 J. B R A H M S . ----- H ungarian D ance No. 6, in D^

    35 35 5°

    ----- H ungarian D ance No. 7, in F F R . C H O P IN . Fugue in A minor (Posthumous).

    A rr. from th e O riginal M anuscrip t by N ata lie Jano tha

    ----- Scherzo in B[> minor. Op. 31 (C. Mikuli)

    35 35 35

    0 7550 35 1 00

    m J. C O N C O N E . V alse b rillan te en O ctavesF . C O U P E R IN . L a F leurie (ou L a tendre N anette) C. C U I. B aga te lle ita lienne C L A U D E D A Q U IN . L e Coucou G. E H R L IC H . B arcarolle No. 2. Op. 12 F R . G R Ü T Z M A C H E R . A lbum blatt. Op. 66 A. J E N S E N . T w o W a ltz e s . Op. 33, Nos. 7 and 8 25 G. K A R G A N O F F . N octurne in Ffl. Op. 3, No. 2 ----- N octurne in D[>. Op. 18, No. 1 ----- N octurne in Cfl min. Op. 18, No. 2 T H E O . K IR C H N E R . A lbum blatt. Op. 7, No. 2 H. K J E R U L F . H um oreske. Op. 12, No. 1 T H E O . K U L L A K . Im Griinen (In th e F o rest). Op.

    105, No. 2 G. M A R T IN I. G avo