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3rd
AEC
Ear
ly M
usi
c P
latf
orm
Me
etin
g
GEN
EVA
20
11
Co
nfe
ren
ce R
ead
er
AEC European Association of Conservatoires Haute École de Musique de Genève
Haute École de Musique de Genève
Page | 3
Table of Contents
Page 04
Page 05
Page 06
Page 08
Page 09
Page 10
Page 12
Page 13
EMP Working Group Members
Conference Team
Programme
Musical Performances
Biographie of the keynote speaker
Gala de Musiques Anciennes (Friday)
Concert Programme (Saturday)
Practical Arrangements
Location of Venues
Floor map of the school
List of Restaurants
Useful Information: Internet
Public transportation
Guided tour
14-15 January 2011 / 3rd AEC Early Music Platform Meeting
Page | 4
EMP Working Group
Peter Nelson (Staatliche Hochschule für
Musik Trossingen)
Greta Haenen (Hochschule für Künste
Bremen)
Jan Kleinbussink (Koninklijk
Conservatorium Den Haag)
Johannes Boer (Koninklijk
Conservatorium Den Haag)
Erik van Nevel (Lemmensinstituut, Leuven)
Terrell Stone (Conservatorio di Musica
"A. Pedrollo", Vicenza)
Jeremy Llewellyn (Musik Akademie der
Stadt Basel)
Jari Puhakka (Sibelius Academy Helsinki)
Yves Rechsteiner (CNSMD de Lyon)
EMP Working Group Members
Haute École de Musique de Genève
Page | 5
Conference Team
Jeremy Cox
Chief executive
Sara Primiterra
Office manager
Louise Courant
Student Intern
Daniela Tomaz
Assistant
Philippe Dinkel
Director of the HEM
Xavier Bouvier
Deputy Director of the HEM
Francis Biggi
Dean of the Early Music Department
Patricia Esteban
Assistant of the Early Music Department
Association Européenne des
Conservatoires
Haute École de Musique de Genève
14-15 January 2011 / 3rd AEC Early Music Platform Meeting
Page | 6
Programme Each session starts with a short music performance
Frid
ay 1
4 J
anu
ary
12:00 – 15:00 Registration at the Haute École de Musique de Genève
15:00 – 15:10 Musical introduction
15:10 – 15:25 Welcome words by Philippe Dinkel, Director of Haute Ecole de
Musique de Genève and by Jeremy Cox, AEC Chief Executive
Opening remarks by Peter Nelson, EMP Coordinator
Concert Hall
15:25 – 15:45
“Early Music in Geneva: a bit of history” by Xavier Bouvier and
Francis Biggi, Dean of the Early Music Department Haute Ecole de
Musique de Genève
Concert Hall
15:45 – 16:45
Session 1: Key-note speech
“The limits of written transmission” by Marcel Pérès, musicologist,
composer, choral director, singer, and founder of the early music group
„Ensemble Organum‟
Followed by discussion with the audience
Concert Hall
16:45 – 17:15 Informal networking Foyer
17:15 – 19:00
Session 1 continued:
“Historical Pedagogy: from treatises to direct transmission;
pedagogical techniques within historical methods and world music”
by Jean-Yves Haymoz (Conservatoire National Supérieur Musique et
Danse de Lyon) and Sasha Zamler-Carhart (Royal Conservatoire The
Hague)
“La fabula d’Orpheo: the use of traditional music models as
comparative source in the interpretation of early music” by Francis
Biggi, Head of Early Music Department and Alexandre Traube (Haute
Ecole de Musique de Genève)
Followed by discussion with the audience
Concert Hall
19:00 – 20:00 Gala de musiques anciennes Concert Hall
20:00 – 21:30 Dinner offered by the Haute École de Musique de Genève Cave Valaisanne
Haute École de Musique de Genève
Page | 7
Programme
S
atu
rday 1
5 J
an
uary
09:30 Registration continues Foyer
10:00 – 11:00
Session 2: interview
“Career Development in Early Music Education: a view from Artistic
Practice”
Interview by Johannes Boer (Royal Conservatoire The Hague) with
harpsichordist and conductor Ton Koopman
Concert Hall
11:00 – 11:30 Informal networking Foyer
11:30 – 12:30
Session 2 continued: alumni presentations
“Career Development in Early Music Education: experiences of
former students”
Jana Chytilova, Hochschule für Musik Trossingen
Béatrice Linon, Conservatoire National Supérieur de Musique de
Lyon
Esmé de Vries, Haute Ecole de Musique de Genève
Moderator: Jeremy Cox, AEC Chief executive
Concert Hall
12:30 - 14:30 Lunch at « Restaurant du Parc des Bastions » Restaurant du Parc
des Bastions
14:30 – 15:30
Session 3: plenary presentations
“Career Development in Early Music Education”
“Promotion and opportunities for professional integration
offered by Early Music Festivals: European experiences and
proposals”, by Enrico Bellei, artistic director Festival Grandezze &
Meraviglie in Modena and Festival Toscano di Musica Antica in Pisa
and executive board member European Early Music Network
(REMA)
“Professional integration in Early Music” by Alain Brunet and
Pierre Bornachot, European Baroque Academy Ambronay
Concert Hall
15:30 – 16:00 Informal networking Foyer
16:00 – 17:30
Session 3 continued:
Breakout group discussions on the themes presented in previous
session
Rooms to be
announced
17:30 – 18:00
Final Session
Reporting back from the breakout group discussions
Final conclusions and announcement of the next meeting of the AEC
Early Music Platform in 2012
Closing of the meeting
Concert Hall
18:00 – 19:00 Pre-concert snack Entrance Hall
20:00 Concert of the Baroque Orchestra of the HEM Early Music Centre with Ton
Koopman
Fusterie Church
Sunday 10:00 Guided Tour Meeting point Place
Neuve
14-15 January 2011 / 3rd AEC Early Music Platform Meeting
Page | 8
Musical Performances
Antoine Busnoys (1430-1492), Josquin Des Prez (1450-1521) - Fortuna desperata Josquin Desprez - Vive le Roy
Josquin Desprez - Si j'avoye Marion
Josquin Desprez - Absalon, Fili mi
Tomàs Luis de Victoria (1548-1611) - Verbum caro
Ross Butcher, Abel Rohrbach, Maxime Chevrot: Sackbut
Robert Kosowicz: Cornet
Haute École de Musique de Genève
Page | 9
Biographie
Keynote Speaker
Marcel Pérès - musicologist, composer, choral director, singer, founder of the early music group ‘Ensemble Organum’
After studying organ and composition at the Nice conservatoire, Marcel Pérès pursued his musical
education in Great Britain and Canada. Back in Europe in 1979, he began to specialize in medieval music and
founded, in 1982, Ensemble Organum with which he undertook a methodical exploration of medieval liturgical
repertoires.
He founded in 1984 at the Royaumont Foundation a research centre for the performance of
medieval music, the CERIMM (Centre Européen pour la Recherche sur l'Interprétation des Musiques
Médiévales – European Medieval Music Research and Performance Centre) of which he was director until
1999. With Ensemble Organum he has released thirty or so records and CDs of which most have been
awarded the highest acclaim: Diapason d'or, Classical Awards, Choc de l'année of the Monde de la Musique.
In 2001, at the former Abbey of Moissac, Marcel Pérès created the CIRMA (Centre Itinérant de
Recherche sur les Musiques Anciennes – Itinerant Centre for Early Music Research), designed to be a show
case, via music, of man's migration, his thinking and his kwow how during the past centuries and to develop a
mutually informative approach between living traditions and musical archeology.
Marcel Pérès's international action was acknowledged in 1990 when he was awarded the French
Secratary of State's international cultural relations' Leonardo da Vinci Prize (Prix Léonard de Vinci), he received
in 1996, by the French Ministry of Culture, the distingtion of Knight of Arts and Letters (Chevalier de l'Ordre
des Arts et des Lettres).
14-15 January 2011 / 3rd AEC Early Music Platform Meeting
Page | 10
Gala de Musiques Anciennes
Friday 14 January 2011, 19:00
Johann-Sebastian Bach (1685-1750)
Trio sonata in G major BWV 1038
Largo, Vivace, Adagio, Presto
Juliette Roumailhac - violin
Nihan Atalay - flute
Silvia De Maria – viola da gamba
Ewa Rzetecka - harpsichord
Jean-Baptiste Barrière (1707-1747)
Sonata IV in B-flat major, Book III
Andante, Allegro, Adagio, Allegro.
&
Sonata II in D minor, Book II
Adagio, Allemanda, Sarabanda, Minuetto.
Esmé De Vries - cello
Oleguer Aymami – cello
Natalia Solarek - harpsichord
Antoine Busnoys (1430-1492) - Est-il merchy
Francesco Landini (1325-1397) - O pianta vaga
Guillaume Dufay (1397-1474) - L'alta bellezza tua
Anonymous, Italy XIVth century - Ita se n'era
Guillaume Dufay (1397-1474) - Je requier a tous amoureux
Marie-Pierre Duceau – voice
Tiphaine Boulc'h – flute, viola d'arco
Patricia Esteban – flute
Bettina Ruchti - vielle
Dana Howe – lute
Haute École de Musique de Genève
Page | 11
Gala de Musiques Anciennes
Jacques-Martin Hotteterre (1673-1763)
Trio Sonata n°5 in E major
Prélude-lentement, Courante, Sarabande, Légèrement
Juliette Roumailhac - violin
Nihan Atalay - flute
Silvia De Maria – viola da gamba
Ewa Rzetecka - harpsichord
Jean-Marie Leclair (1697-1764)
Deuxième Récréation de Musique
Ouverture, Sarabande, Menuets, Chaconne, Tambourins.
Juliette Roumailhac et Catehrine Plattner - violin
Grégoire Fillion et Nihan Atalay - flute
Esmé De Vries – cello
Lionel Desmeules – harpsichord
Thanks to William Dongois, Stefan Legée, Florence Malgoire, Serge Saitta and Bruno Cocset for coaching the
students during the preparation of the concert.
14-15 January 2011 / 3rd AEC Early Music Platform Meeting
Page | 12
Concert Programme
Saturday 15 January 2011, 20:00
Baroque Orchestra of the HEM :
Violin I Juliette Roumailhac, Saskia Birchler, Katia Viel, Betina Andrea Pasteknik, Emma
Jardine
Violin II Josiane Brachet, Jeanne Mathieu, Vanessa Monteventi, Marie Bouvard
Viola Bettina Ruchti, Veit Benedikt Hertenstein, Kimi Makino
Cello Esmé De Vries, Cyril Poulet, Alejandro Marías, Oleguer Aymamí Busqué,
Double Bass Julie Stalder
Recorder Tiphaine Boulc'h, Feodora Diakoff
Oboe Aline Chenaux, Roger Vesga
Oboe and Taille Seung-Kyung Lee
Bassoon Marie Van Cutsem
Organ Nayoung Kim, Eun-Young Yoon, Natalia Solarek, Ewa Rzetecka
Haute École de Musique de Genève
Page | 13
Practical Arrangements
Location of Venues
Hotel Strasbourg
Rue Pradier 10
1201 Geneva, Switzerland
Hotel Royal Manotel
rue de Lausanne 41
1201 Geneva, Switzerland
Etap Hotel - Petit Lancy
Chemin des Olliquettes 6
1213 Geneva, Switzerland
Cave Valaisanne
Friday Dinner
Parc des Bastions
Saturday Lunch
CONFERENCE VENUE
Haute École de Musique de Genève, Place Neuve
Concert Saturday Evening
Place de la Fusterie
Train Station Genève Cornavin
A
B
C
2 1
A
B
C
1
2
14-15 January 2011 / 3rd AEC Early Music Platform Meeting
Page | 14
Practical Arrangements Floor map of the school
Ground Floor
First Floor
23
F
A B
23
C
D
23
E
H
G
Haute École de Musique de Genève
Page | 15
Practical Arrangements
List of Restaurants
There are plenty of restaurants in the center of Geneva, at walking distance from the Conservatoire.
For a complete list indexed by specialty (French, Italian, Asiatic, African, etc.) see:
http://www.bonresto.ch/geneve/index.asp
There are several middle to upper class restaurants near Place Neuve
Dorian Café Restaurant
pl. René-Payot 1 - 1204 Genève - Tél. +41/22 328 25 36
100m. to the left when facing the Conservatoire building
Lyrique Café Restaurant
bd du Théâtre 12 - 1204 Genève - Tél. +41/22 328 00 95
50m. to the right when facing the Conservatoire building
Papon Café Restaurant
rue Henri-Fazy 1 - 1204 Genève - Tél. +41/22 311 54 28
Specialities: French, Terroir
U Bobba Café Restaurant
rue de la Corraterie 21 - 1204 Genève - Tél. +41/22 310 53 40
Some cheaper but fully recommandable restaurants near Place Neuve
Grütli Café Restaurant
rue Général-Dufour 16 - 1204 Genève - Tél. +41/22 321 51 58
Just behind the Conservatoire
Il Carosello Café Restaurant
bd Georges-Favon 25 - 1204 Genève - Tél. +41/22 328 56 40
Specialities: Italian
Boccaccio Café Restaurant
bd Georges-Favon 45 - 1204 Genève - Tél. +41/22 329 45 22
Near the Temple the la Fusterie where the Saturday concert takes place:
Brasserie Lipp Café Restaurant
Rue de la Confédération 8 - 1204 Genève - Tél. +41/22 318 80 30
Specialities: Brasserie, French Vegetarian
Café du Centre Café Restaurant
pl. du Molard 5 - 1204 Genève - Tél. +41/22 311 85 86
Specialities: French, International
14-15 January 2011 / 3rd AEC Early Music Platform Meeting
Page | 16
Practical Arrangements Useful information: Internet and copy facilities
The Haute Ecole de Musique provides you with the access to the Internet in the building via wifi and also via a
computer at the disposal for all participants right at the entrance of the building on your right.
To connect to wifi, select the network CMG-ETU. There is no password.
There is also a copy machine at the entrance of the building on the left, next to the stairs. Here you can make
copies in A4 and A3.
Public transportation
Travel free on public transport during you stay in Geneva.
With effect from January 2008, you can pick up a free ticket for public transport from the machine in the
baggage collection area at the Arrival level of the airport.
This Unireso ticket, offered by Geneva International Airport, allows you to use public transport in Geneva free
for a period of 80 minutes.
If you are staying at a hotel, a youth hostel or a campsite the establishment will offer you the “Geneva
Transport Card” that allows you to use public transport in Geneva free of charge during your stay.
Guided tour – Sunday 10:00
On Sunday 16th a guided tour in Geneva is proposed to all participants by the HEM of Geneva.
Participants who wish to join the tour, are invited to meet at 10:00 in front of the venue (Place Neuve). They
will be guided to discover the city of Geneva!