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Nlirror of lleritage(Avr,rr-yr Minns)

Quarter l ,v Journal of Book Revierv.

Bib l iographi , ancl ' i

cxt Infbrrnatron

Neu Se r i cs Vo l . 6 . l s suc No 3 ( ; ] l ) . AL r t umn l 00R

Spcc ia l I s s r r c : Cod i co los \ and t c r r o l og , , ,

P rop r i e to r : -The ' I l e sca rch ( ' en l e r f o r t he Wr i t t en I l e r i t l L_se\ l an lg i ng D i rec to r : Akba r l r . an i

Edi tor- in-( lh ie l : . laurs l t ic l Kranlar

Intcrnal ) lanager: Setar . .esh Nooraninejacl

Edi tor ia l l loar t l : lv{ahnrorrd 'Abedi (profcssor- . ' l 'arb iyat \4u.alcnr l , r r r rcrsrrr r .

N {uhan r rnad 'A l i r \ za l S l r ab (p ro tesso r , Teh ran L . i n i . , . e r s i t y1 . Na .1a f eo l i } l ab i b r

(Assoct i t tc prolessor. ' fc l t run

[Jnl \ 'cr-s l ty) . , \had I raraurarz ( ]ara \ , la ickr {protcssof .- fehran [ - rnrvcr-s i t r , ) . ' , \ l i Rar,aqhr lprof tssor. Tchran IJnir ,crsr tv) . .AIr

Asl t ra i -Sadeghi (Plo l i 'ssor. l -chrar I jnrvels i t l ' ) . [Jameci Scdchi 1r \ssgciate pr .of issor.I -ar-bn'at \1u ' l i lern I l r r i r .e is i t .v ' - ) . Mansour Scl i r tco] ( . , \ss lsta11 p16tessor.

. fc l rnn

[_ tn i ve r s r l ] . ) .

Sc i en t i l i c consu r ran t s : N la l rmoud 'Abed i . I r a . i , \ f sha r . o l ec , \ k i r nL rshk in (RL rss i a ) .

. , \ l r . ' \ le Davoucl . Pan' iz r \zkaer. Bert Fr . rgner (Austr . ia) . GholamrezaJanrshic lnezhat l Ar , r , 'a l . PaLr l l .u i i tEngland). Ar i f Naushahr (pakistan). Jarrr l l taqcp(1, ' .S.A ) . Hashcm l la. jabzar le h ( . lapan). AI i Ravaghi . l ; ra lc is Richarcl ( l - rance).l \ . {ohanrmarl Roshan. i \ l iAshraf Sadeghi . Akbar Soboor

. \ r t I ) i rector : \Jal r f roubeh t l l ( )hart rntadiL i t hog raphv and l , r i n r i ng : Nog l r r c Ab i

Unrt 9. Seconcl Flo.r . N. . 1304. Be1*,ee' Da'eshgah zrncl , \bur iLr , ,ha, s l reels.Enqelab A'u,ennc.l -ehran^ Post cocle . 1- l l_<691-< l ( l - l ran' l - e l :

, 98 2 i 66 .1906 l l Fa r . . 9 i r t . I 66 -10 (1158A1 c-ne lv l i las(r . \ l i ras lVlaktoob. i rI r t t p : r r r r r r . \ l i n r : \ l . r k i r r r r h . r rl . r t tp : r lvw u . is)arr icc letutranir .con.rht tp:r r t r "ur * sr is t .contht tp : , ' r rvr . r . t , . is l lnt ic t lutahank.cotn, , f i r rs i , '1 . c le laul t .asp

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l 'able of Crintents

Editorinl 3

Genelal Articles

The L inguist ic c lharacter is t ics o i ' the pers ian Diaressarsn, a soven_century

Text / Hassan Rezaee Bagh Bicli . j

Some Theoretical ctlnsidcrations praclical in rhc Literary Textual Crit icism

,i Jova Jahanbakhsh

An Aralytic Sun'cv on the Numher of the pcrsian Manuscripts

in thc Turk ish L ibrar ies / N4chdi Alzal i

Numismat ic s tudics and rex l -edi t ing / Mohscn Jafar i Muzhah

R e g a i n i n g t h e o b l i t e n l t e d w o r d s o f a m a n u s c r i p t b \ X _ R u r

Bahnrlolomi

Cataloguing

A N e n ' L o o k a t t h c M a n u s c r i p t s C a t a l o g u i n g , a n d , l i i c

bctrvcen rhc Old and Modern Mcthorls / Habib Allah Azimi

r e l a t i 0 n s h i I

-) /l

Prcscn'ed

i+

I l l ( )

F l I l r t , . r k

i t J

129

I s l a m i c

Emadi

t 4 0

Codicology

Paper i n Cod i co logy and Bookb ind ing o l . r he Manusc r i p r s / Hab ib A l l ah

A Mcthot lo log ica l compar is rn o f rwo ord B ih l i .g raph ies in Thcworld (Najashi's and Ibn Kahy'r's catalogues) r'sewccr MohammaclHacri

Azimi

Tree-Likc Writing ,/ Se',^yed Ali Kasaec

161

iu6A Re'ierv: The contenls o| the Manuscript Ahsan al-Kobar, a mastcrpleceof Rcl ig ious paint in-us in rhe Salav id per ioc l i Mahnaz Shavcstehfar 2(X)I n v e s t i u a t i o n o l t h c t i t l e a n c l t h c a u t h ' r o f a m a n u s c r i p t r H c l a l N a j i .Translated: Husein Alinughivan

Decoding a Manuscript i Majicl Acha Khan pour Sitrkhah

227

250

ln Search of ManuscriPts

T h e S u b - c o n t i n e n t a l N 4 a n u s c r i p t s i n t h c L i b r a r i c s t l f M c d i n a i A r e f

Narvshahi, translated: Sey-vecl Abd al Qader Hashemi 259

P e r s i a n M a n u s c r i p t s i n K a z a k h s t a n / S e y v e c l M u h a m m a d B a g h e r K a m a l

al-Dini aqr)

Reviervs

A N c r v C o m P l e t t o n

Ahudi

o f K a s h f a 1 - Z u n u n / M e h r c l a i l C h a t r a v e e A z i z

A Ca ta logue Rev i c r v :

Isfahan / Javad Basharl

Printing

I-rO r"rr' 'f thc,, "r""rrr,r]tl]

Charac tc r i s t i cs an r l backg r t l unc l o f l i t hog raphy & t vpog raphy / Seyyed

Abolghasem Na-shibi 321

conservation

D i g i t a l s c a n n i n g : A N e r v L o o k a t t h e f u t u r e 0 f M a n u s 0 r i p t s t u d i e s /

Authclr: Carl Grif l in, Translator: Zohreh Gholamhoseinzadeh'., 339

To be Studied

Somc Crlnsidcratlons On Coclic0log-v-: Manuscripts ancl thc editing Mcthod

cll 'Azraqi e Heravi's Divan i Mohammad Taqi Kholosi 355

S h a - v b a n i a n ( l a n c e d l 0 r e d i t i n g h i s r v o r k s / A l i R e z a S h a n a z a r i . . 3 8 0

Abstract in r\rnbi ,/ Bashir Jazayiri 39 1

.\bstract in l ' lnglish , ' ' Hasan Lahouti, " -)

Manuscr iP ts in the

3 1 6

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9-

Hassan Lahoti;:3

The Linguistic Character-istics of the persian Diatessaron.

a Seven-Centurv Text

Hassan Rezaec Baeh Bidi

D ia tessaron te rmino log ica l l y re fe rs to a s ing le Gospe l ou t o f the lourGospe ls , nar ra red in the syr iac language, by a cer ta in Ta t ianus . l i r r rhc l ' i r s tt ime in the s r :cond century B .c . Th is nar ra t ion is los t . bu t i t s rn ,o Aru t . r rcmanuscripts survive.

The paper deals with the oltlest Persian Diatessaron, written in rhe seventhcentury. of rvhich the original copv is los1, but a manuscripl copiecl tiom it inthe tenth century cxists. First, its narrator had proclucecl a complete persian

t rans la t ion f rom the Svr iac tcx t o f the four Gospe ls ; thcn de le t ing thc :repeatecl passagcs, he ski l l fu l ly edi ted and arrangccl the four into a singleoonnected narrat ive. He does not expl ic i t lv ic lent i f ,v himself , but he gives thele t te rs o f h is name and ep i thc t a t th t : end o l ' the manuscr ip t , wh ich reads

-*+1"1 (Jhon/ [-"_) and lz.z, al-Din (;_rjt;o), when thev are put togcthcr.

Th is tex t , hav ing spec i f i c phonet ic anc l g rammat ica l s t ruc tu re , i s animportant document in revealing the characteristics of persian language in theseventh century.

r.<'

; i3. F,mail : lahouti@lhotrnai l .cont

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Sorne -l 'heoretical

considerati()ns ;rractical in

the Literarl ' ' fextual Crit icisnl

Jova Jahanbakhsh

The papc r s tuc l i es t hc c r ro rs and p rob l cms u 'h i ch a r i sc f r om t ransc r i b i n -Q ,

copving, reproducing and tcxtual edi t ing. The issuc is f i rund not onl l ' ' in t lur

c u l t u r a l d o m a i n b u t a l s o i n t h e m a n u s c r i p t s a n d c d i t i o n s p r t t d u c c d i n o t h c r

c u l t u r a l a n d c i v i l i z a t i o n d o m a i n s . P r o v i d i n g s c v e r a l c v i d c n c e s . t h t : p a p e r

studics thc c l i f fcrenl c l imcnsions o l thc issue.

An Analytic Survey on the Number tlf the Persian

Nlanuscripts Preserved in the l 'urkish tr, ibraries

Mehdi Atzuli

'Thc Ottoman Kings paid great attention to prclduclittn and presenation ot

books. A1so, thcr ' ostabl ishe c l l ihrar i t :s to encouragc tht : nobl t ;s . commanclcrs

r n d p r i n c c s 1 o p a v s p c c i i t l a l t c n t i o n t o c o l l e c t i n g b o o k s . T h i s u t t e n t i t l n

increused a l ter thu Ot toman pol i t ica l and cul tura l re lat ionships expanded \ \ i th

tht Sul t r r id {o\e nrnrcnl ( ) l l ran. Conscqucnt l ,v , manv l ibrar ies and col lect ions

\ \ r ' r e e s t l i l r l i : h ( ] d a l l t h roL rg i i t he O t toman t c r r i t o r v , anc l manV manusc r i p t s

\ \cr r ' { r lhefL ' i i 1r1 l r11r11g[1 l fo l l d i l lc rcnt countr ies, par t icu lar iV f ' r t tm I ran, at lc l

\ \ r r c I l e \ u r . r e t l i n t h e l i h r a t i c : . A l t h o u g h t h e n i a l n p a r l o I t h e c o l l e c t e d

nrrnu\r ' r i l l ts ucre in . \ rahic . the numher o l the Pers ian manuscr ip ls increascd

rn thcsc c() l lcct rons. c luc t r r the - fuLkish

noblcs ' in terests in the Pcrs ian p()etn/

a n d l i t e r a t u r e . A s a r e s u l t . t o d a r . t h e r c a r e m a n v P e r s i a n a s w c l l a s A r a h i c

manusur ipts prcscrved in thc Turk ish i ibrar ics and col lect ions.

The Prcsent paper attcmpts to account lbr a general picturc 01 the Persian

manuscripts hrtuscd in the Turkish l ibraries, reiyin-c on thc inlirrmation gainecl

l r o m t h e c a l a l ( ) { u e d m a n u s c r i l t t s . A c c o r d i n g t o t h e \ u r v c y , 1 3 0 7 P e r s t a n

b o o k s i t r e a t i s c h a v e b e e n c a t a l o - q u e d i n t h e T u r k i s h L i b r a r i e s " T h c I i g u r e

; l 2 l

slands tbr almost %.15

that aboul 0,1,55 of Ih .

catal()gued.

of the extant Persian

Pc rs ian manusc r i p t s

manuscnpts. r i 'h i le i t is probable

ava i l ab le i n Tu rkcy a re no t ve t

Numismatic Studies and Text_etliting

Mohsen Jalari Mazhab

Regarding thc facl that numismatics (.r*L;:+l-) can help text_editing, rhe

lirst part of thc articlc talks about the subjects clcalt with in the manuscripts

in connecrion with coins ancl the Rhyming prose tcl*) imprintect on them.

The subjects fall into four groups: coin aniJ ofl icial sermon (4-l;) as the token

o f a k i n g d o m a n d o f a n i n d e p e n c l e n t g o v e r n m e n t ; c o i n a g e a s a s i g n o l '

cit izenship; rhyming prose; marerial ancl/or thc rveighr of rhe coin.

The sec t l nd pa r t o l t he a r t i c l e t a l ks o f t he t en suppos i t i ons pc r ra in in r ro

rhym ing p rose on the co ins r vh i ch a re men t i onec l i n t he o l c l t c r t s and l r . e

obsened hv t he muscum expc r l i s c .

F ina l l y , t he a r t i c l e desc r i bes some p ieces o f r hym ing p rose impr in rcc i on

tl if ' fcrent seals ancl roval signatures (!!); thus, it tr ies to emphasize that the

text-editors must identi$ and use them in text_cclit inc.

Regaining the obliterated words of a manuscript by X_Ray

Faranak Bahrololomi

Regain ing the obl i tcratcc l text o l a manuscr ipt belong to Archimecles was

t h e f i r s t s u c c e s s a c h i e v e d b v t h e e n e r g y c l e p a r t m e n t i n t h e c e n t r : r o l

manuscr ipt accelerator of Stanford. The manuscr ipt was probably copied bv

Leo , t he geomet r i c i an , i n cons tan t i nop le , i n t he m id 1 t ) t l ' cen tu ry . bu t l a te r

0 n , s u p p ( ) r t e d b y P o p I n n o c e n t i i i , i t w a s o b l i t e r a t c d a n d c o v e r c c l b v a

Christian praver.

-x1

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The rrticlc trics to clcscrihe l lt l$ ltn .\rchimcdcs' manuscript vn'us regltinctl

I r n t l s h r r r r t h c m o d c r n l e e h n o l o t . I r r r l l e r . l t s i u n t l i t l t n t s e r v i c e l ( ) s c i c n c e i ] n d

h i s l t l r r . l n t h t s c t l n n c c t i t l n . t h c u r t i c l e c r p l u i n s l v h a t h a c l h a p p c n c l c d t 0 t h e

manusc r i l l t . anc l | i na l l v r v i l l f i nc lh t l r r ' i t r r ' assa r ' ec lby thc r ' n ' u l t e r sA r tMuseum

i n B a l t i m t l r e t h a t s t a r t c c l a n e i g h t V e a l c ( ) n s t a n t S t u d y l c t ] t o t l i s c t r r ' e r r n g t h c

scvcn c l i scou rscs t r v A rch ime i l cs on thc mcasu r i ng o l c i r c l e ' sp i ra l l i nes '

fbating objccts. und solvtng the mechanical prclblems'

Thc a r t i c l c cnds i n a c l c ta i l c t l t l c sc r i p t i on ( )n I ] 0 \ \ ' t he X -Ra l ,p roduccd a

p i ( t u r r ' t r l t he t l h l i t c ra ted t cs t '

A Nerv Look at the N{anuscripts Cataloguing'

lntl. the relationship hehveen the Okl and N'{odern Nlethods

Habib Allah Azimi

T h . , I : l l r n l i e \ l : r n t r s c r i p t s l I I c l h c t r c a S u I c S t l f s c i e n t i f i c l n d c u l t u r a l

i r . ; t i . r j r . l e l 1 t . e h i r t r l h r t h e l ( ) r m e r s c h o l a r s t l f t h e I s l a m i c c o u n t r i o s ' T h e

, l t h e . e n l ] n l l s c r i p l s t h r o L r u h c a t a l o g u e s i s a n e c e s s l t v

r l . t t lh . t l lher l i rc n ic ich t l is t r ibuted ' hcrc and there: ' in thet J ! l l i l ! i . . r l

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^ , , , ' i - . 1 \ ' l . r ! r \ v - - , -> - i , \ l t h t ' r fC i t l l i t ' r e r i e : l t nd museums ' as w ( ) l l as ' on t hc

.hc l . ,c : , j l J)ur \ \ ,n , r j l r i . r . r r r r ' : r . r l ld Jntr )n1l thr eol lcct i t lns of d i l lc rcnt scholars a l l

\ r \e r lhc r r r r r l . l \ l . rkrnu und puh' l ish ing t l tc cata logue of manuscr ipts prescn'cd

in I l i h run r ) r i n rn l l i s t i l u te cnab l cs t hc : cho la rs t o f i nd t he book they l ook

l { ) r : t h l : . t 5e l r e l d \ ' l n l r p r . r \ L r i p t -hu :e r . l \ l ud ies hccon le : u mean ing lu l p r0 jec l '

T h c m t l t l c r n n i c t h ( ) d t l l c u t a l t l g u i n g t h c b o t l k s o l l h e M i d d l e A g e s a n d t h e

R c n a i s s a n c O c r a w a s s c c m i n g l v i n t r o d u c c c l i n t h e l i r s t h a ] l o 1 t h c t \ \ ' e n t i c t h

c c n t u r ] ' , w h c l i l h c p r i m a r y c d i t l o n o f t h e r u l e s t l f r v r i t i n g a d c s c r i p t t v c

manusc r i p t ca ta l ( )gue r r ' aspub l i shec lby theL i t r r u r l 0 fC0ng rcss , i n l 95 . l . La t c r

on . duc t ( ) 1 t s SC\ i c r l r l t l e l i c i enc i cs ' t he ru les , as mc thoc l , \ \ . c I c n0 t l t ' c l c t lmc

t / /

u t i l i zec l b1 ' t hc ca ta logc rs i n t he I s l am ic co r tn t r i cs . Ra thc r . i n Tu rkcv . I nd ian

suhcont incnt ancl Pakistan. Egvpt . ant l par t icu lar lv in in tn. thc c i l t i t logcrs used

a n i n v e n t i v e s v s t c m l i r r c a t a l o g i n q r v h i c h h a s i t s r ( ) o l s i n t r a d i t i t l n . T h e s c

ca ta logs a re ma in l y c t tmp i l cc l i n 1u 'o pa r t s :h ib l i og r l ph l ' l nd c t t c l i c< l1 t t gv . r v i t l t

the same ucncral slructures, despite manv ciiftercncc-s in contents and cletails.

C o n t a i n i n g 2 0 . 0 0 0 m a n u s c r i p t s n , i t h u l m o s t ; 1 0 . 0 0 0 t i t l e s . t h c N a t i o n a l

L i b r a r v o l ' t h c I s l a m i c R c p u b l i c 0 f I r a n b e g a n t o a p p l l ' u n c w m c l h o d o l

munusc r i p t ca ta logu ing i n i 372 i 1993 , and , has ucc t l r c l i ng l y ca ta loguec l 5 (XX l

manuscripts, so {ar, which actuall l ' prtlves manv privilcgcs.

T h i s a r t i c l c a ( t c m p t s t o c l c s c r i b c t h e d i t l e r c n c e s a m o n g t h c v a r i t l u s

t rac l i l i ona l me thods o1 ca ta log in -u and the ncw mo thod usc t l by t hc Na t i ona l

Library ol the lslamic Republic o1 Iran, u'hich is considcrcd as a national lnd

regional stanclarcl.

A Nlethodological Comparison of 'I 'rvo Old l l ibl iogr':rphies

in ' l 'he

Islamic World (Najashi's and lbn Kahl'r 's Catalogtres )

Se1'vcd Nl t lhanln l l rd Enl l t l t I i r ie r j

R e - q a r d i n - C t h e l s l a m i c c i v i l i z a t i o n , c a t a l o g u c s r v r i l i n g i s r r k t n c i o l

authurship knou'n as modcrn b ib l iographv. Book cata logues churactcr is t ic l r l l r

f o c u s o n t h e r v r i t t e n w o r k s - a g e n c r a l c h a r a c t e r i s t i c s h a r e d b v a l l

bibliographies despire of their methodological cli l ' l 'crences. Tho old catalogues,

r,r,hether as a book or aS a treatisc. are rather dif lbrent lrom each Other in the

subject, antl, mcthoclologl' ol ' cataloguing and slrstematization'

Me thoc lo log i ca l lV compar ing t r vo o ld ca ta logucs pe r t a i n i ng t0 t he l i f t h -

s i x l h c e n t u r v w o r l d s o f I s 1 a m , t h e p r c s e n t a r t i c l e e x p l a i n s t h e i r c o m m o n

character is t ics ancl analvt ica l lv d is t inguishcs thei r methodologic:a l s imi lar i t ie s

and differenccs.

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Paper in Codicology and llookbinding

of the Manuscripts

Habib Allah Azimi

As far as the art of codicologv (.r-l*la;-;) is concernccl, iclentifuing the

paper used in a manuscript is a part of its history. The paper also shows thc

da tc o f t hc manusc r i p t ' s embe l l i sh ing an i l i t s bookb ind ing occu r re6 i n t he

geouraphical region rvherc the manuscript is rvritten. That is r.vhv the Eastern

catalclguc q,rircrs, particularlv in lran, try to i i lenti ly the kincl of papcr, rvhen

speak ing o f i t s coc l i co logv . A l t e r i nvcn t i on and p roduc t i on i l l pape r . a t f i r s t

the Chincse, then thc Muslims ancl thc Pcrsians rapicll-v substitute other kincl

o l ' s h c c l s ( i . e . P a p v r u s a n d a n i m a l s k i n ) r v i t h t h e p a p c r . c o n s e q u e n r l v ,

prrlduction of " 'urious kincls ol papcr \\ 'as introduced in the dil1erent cit ies o1'

l r an and o thc r I s l amrc coun t r i cs .

\ \ ' he n dcsc r rh ing the \he c t s usec l i n t he manusc r i p t s , t he con rempora rv

t l r ta lo{ue ur i ter : entpkrr !cnenr l terms rvhich are ra lher cxper imcnta l . On the

, ' r i r e r h . r n d . t l r u r e u r c j u s t l i m i t c t i a n c l p a r t i a l d e s c r i p t i o n s o n t h e

- i r . r r . r . t e f l : l i t s r r l r h c : c p i l p c r \ i n t h e o l t l s o u r c e s . T h i s m e a n s t h a t t h e o l c l

\ \ rur !c \ I r f , ) r i t lc nrr other in f i r r rnat ion hv ivh ich wc woulc l c lescr ibe the samnlcs

i 1 l I r J p C f \ .

- { l t h o u q h t h c c a l l l t t g u c n r i t e r s r e l v u n t h c i r c x p e r i m c n t a l k n o w l c d g e i n

d i s t i nuu rsh inu thc k i nd o f papc r . i t i s necessa rv l owr i t e c l o r vn these senso ry

expe r imen ts . so t ha t i t u ' ou l c l pa r t i a l l l , p r ( )ducc thc h i s to ry o l pa l cog raph l ,

r6L-;i i6) and to shorv thc historical course of paper making on onc hancl,

and 1tl provide inlbrmation lbr the chemists ancl scicntists in the laboralories

to study and analyze various kind ol'papers, on the othcr hand, rvhich rvoulcl

f i na l l y l cac l s t o dc te rm inc t ho sc ien t i f i c p r i nc ip les and cha rac te r i s t i cs o f

various kinds ol papcrs.

a-

T h c p r c s e n t a r t i c l e e r e m i n e s a n c l c x p l a i n s t h e v a r i o u s k i n d s o l p a p e r s

commonlv used in thc munuscr ipts .

Tree-Like Writins

Selyed Ali Kasaee

The trec- l ikc writ ing i3r.-; !;). a part of thc ttccultisms \+:i rr,\r.), is a

m) ' s t c r i ous handu , r i l i ng use d as a scc rc t r vav o l commun ica t i t t n . i n t hc pas t .

Thcrc are several examplcs ol this m,vsterious handtvrit ing on thc margins tt l

t h c p a g e s o r o n t h e l a s t p a g c s o f s o m e m a n u s c r i p t s p r e s c r v e d i n t h c I r a n

National Lrbran (;ir_t 3l ';*i)" This handr'vrit in-u is basicallv t lcsigned on the

ar i thmet ica l arran-uemont o l the Arabic a lphabct ( rz : i . i : r ) , and. i t is ca l led

Shajar i s implv bccausc the cnt i rc \ \ ' r i t ing is s imi lar to a t ree: the r . 'er t ica l i inc

s imi les thc stem and thc obl ique l ines s imi lcs thc branchcs o1 a t rce,

A Review': l 'he Clontents of the Manuscript AhsaIr al-Ktlbar.

a masterpiece of Religious paintings in the Safarid period

Mahnaz Sh l r cs te h la r

One o l ' the cohcsive stv lcs in Pers ian paint ing is thc schooi of Qazr in and

Is lahan o1 ' t he Sa lav i c l pe r i od . G roups o l pa in t i ng t n t h i s scho t t l a re d i r cc t l v

rclatcd to Islamic religion. thc storics and the legcntls, an indication o1'r'aricty

and reli-gious freedom ol that period in the Persian histon'.

R e l i g i o n w a s f a c t L l a l l v c t n e o f t h e m o s t o b v i o u s a n d c l c a r i n l l u e n t i a l

e l c m e n t s o n t h c S a f a v i d p a i n t r n g s . T h e S a l a v i d t a s t e i n a r t w a s i n d i r e c t

connection u,i1h elemenls of religious qualit-v ancl nature. In this pcriod, t l ic

l s l am ic canon i c t each ings , r vh i ch a re cons ide red as t he mos t s i gn i f i can t and

scnsitir. 'e subjccts 1or interprctin-u religious problcms. developed significantly.

The polit ical and historical situalions ol this pcriod, i lnd, most importantlv,

thc elements ol'rcl i-uictus svmbolism are quite eviclcnt in the paintings ('..:"rK)

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9f this pcriocl, anil these painlingslG"r\.() arc perl 'ect retlectors tlf their social

a n d r c l i g i o u s c o n c l i t i o n s . H o N e v e r . a p a r t f r o m h i s t c l r i c a l a n d s o c i a l

pcrspectivcs, much ol' Persian painting aosthctic principles and standards were

establ ishcd in th is school .

Onc o l t hc re l i g i ous i l l us t ra te t l manusc r i p t s o l ' t he Sa fa r ' ' i d t ime i s Ahsan

a l -Koba r . ab r i dged i n t hc o rdc r o f Shah Tahmasb l , c t l ns i s t s < l t ' l 7 pa in t i ngs

t l csc r i b i ng the imp t t r t an t I s l am ic cven ts . such as Ghad i r Khc lm : Ba t t l e o f

Jamali peacc treatv hetrveen Imam Hassan and Mo'aviwa; etc.

The pailt ings (G.rK:; in this manuscript are generall,v under the influence

of thc trvo stvlcs ol Qazlin ancl Eslahan. This manuscript is preserved in thc

l i h run t l l C t t l c s lun Pu lu t c { ; � e - r ' - u ( ) .

Focus ing on the sub jec t ma t te r , t cchn ique , and s t y l e , t he p rcsen l pape r

t r ies to rev ieu ' the contcnts t l l ten paint ings in Ahsan a l -Kobar.

lnrestigatiotl r l l the tit le and the author of a manuscript

Hela l Naj i

Translated: Husein AlinaghiYan

T h u l ) l l ) c r l l t c n l l ) t s t o d c a l u ' i t h t h e r e c o g n i t i o n o f t i t l e a n d a u t h o r

. r L r t h e n t i e i t r t t l u \ l a n u s c r i p t . A n i n t r o t l u c l i c l n o n t h e b a c k g r o u n d o l t h e

.ubicet in the Arah $'orlcl is f011o$'ecl hy the history ol the manuscripts rvhtlse

t i t l c s a n c l n a m e s o l l u t h o r s h a v c b e e n s o m e h o w s r . r b j c c t t o o b s c u r i t V ,

co r rup t i on , m is rcad ing , e r ro r , and neg lec t , and then thc scho la rs have spen t

l ong vea rs o f sc ien t i f i c cndeavo r t o c l i s cove r t he co r rec t t i 1 l e as r ve l l as t he

correct namc ol lhe author .

The papcr, here anrl there. emphasizcs on the fact that scientif ic cataloging

(as t he ma jo r suppo r t 0 f manusc r i p t r esea rche rs ) . i s no t rea l i zcc l r v i t hou l

l c \ t ' s i n te rna l i n r cs t i uu l i t l n .

t / / 'I 0

Decoding a Manuscript

N4ajid Agha Khan Pour Sorkhab

The p rcscn t a r t i c l c t l l k s abou t dccc l c l i ng i l manusc r i l r t p r csc rvcd i n t he

Na t i ona l L i b ra ry o l ' Tab r i z . A f t c r t he t i t l e . t hc f i r s t page o1 ' t he man usc r i p t

(Daqayeq a l -Haqa,vcq) bears s()me encodcd par ts o l 'Sul tan Valad 's gencalogy.

The article explains the decoding process tl l ' the encocled l ines.

The Sub-Continental Nlanuscripts in the Libraries of Nledina

Arcf Narvshahi

translatcd: Sewecl Abd al Qadcr Hashemi

T h i s i s a P c r s i a n t r a n s l a t i o n o f a n U r d u a r l i c l e p u b l i s h e d i n t h c F t ' k r ' , s

Naza r , l s l am Abac l , Vo l . . 13 , no . 3 , pp . 83 -116+ I l 7 -122 . Thc l u th i t r u i l r r h r r t i

publishecl Nladan al-Durar (;;rJl .r,r..) in Tehran, sevcrai vellrs l iUo. Jll i td lr r t: i1

t0 the L ihrar l ' o l 'Abd a l -At i t . dur ing h is p i lgr ima.r lc t0 N4cdina. s \ t i r r . r i l te r I

he couf t l f inc l a s imi lar manuscr ipt o l Maclan a l -Durar among l i . ie ln l t t t rs t t t I ts

o f A r e l H c k m a t ' s c o l l e c t i o n o f b o o k s . T h e l i r s t p a r t o l t h e p a p c r r i r t s u

descr ip l ion of th is manuscr iPt"

Thanks t0 thc good behavi t l r o f a hc lpfu l l ibrar ian, the author can havc a

look uver somc other manuscripts ol 'rvhich he is speaking in thc nexl part ol

t he papc r . Fu r the rmore , hc i n t roc lucos a l i b ra r , v ca l l ed Mak laba Ma lek Abd

a l -Az . i z , and g i ves t hc t i l l es o f t he manusc r i p t s p rese rved i n s t lme o f i t s

important book- storages.

The th i rd pa r t o l t he pape r desc r i bes thc co l l ec t i on o f She i kh A re l '

He kma t . wh i ch i s a re l i g i t t us l v endowmen t and i s cons i c l e red as t he mt l s l

important trcasure in the l ihrarv of Malek Abd a1-Aziz'

The ncx t pa r t s o f t he pape r o t f c r a l phahe t i ca l lY t he l i s t s o f munusc r i p t s

p rcse rve i l i n va r i ous co l l cc t i ons . i nc lud ing the co l l cc t t on o l lV la lek Abd

al-Az.iz^

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F ina l l " v . a repo r t on t hc l i b ra rv o f t he A1 -Nahav i N , l osque conc luc les t he

pap(jr.

I)ersian Nlanuscripts in Kazakhstan

SoTed Muhammad Baghcr Kamal a l -Din i

Throughout the h is torv. the Pers ian languagc, rv i th i ts r ichness of content ,

clttqucncc, and clarity havc hecn ahle to a1f'ect i l i ffcrcnl geographical locations

and convev the Pcrs ian- ls lamic cul ture.

Mani fcst in-q a deep inf lucnce o l ' the Pcrs ian L i tcraturc and Language in i ts

cu l t u re , Kazakhs lan . a coun t r v i n t hc Cen t ra l As ia . has a l o t o f i n l c r cu l t u ra l

associa l ion rv i th Pcrs ia. In thc l ibrar ies o1 th is countn ' there are manv Pcrs ian

manuscr ipts u 'h ich ure not vc l hccn cata logued.

I n t h c L i b r a r r o l t h e \ u r i o n l l A c a d e m v o l ' S c i e n c e s o l ' t h e I t c p u h l i c o f

Kuzl rkh: t l rn . lor er l i t t t l l le . thcrc are l i r r tv Pcrs ian manuscr ipts o l Pers iun poets.

. L r rh r : l l l r l ez . S l r d r . B ide l Dch l l n i : us q ' e l l as r c l i g i ous r vo rks . e t c .

I - l r e , , l t i e . l n r i r n L r \ L r i I t i n t h i s l i h r a r r i s a Q u r a n i c e x e u c s i s , i n 1 9 4 p a - q e s ,

' . 1 1 [ . s l i n , r ] . 1 H . - \ l : r r . r . h e r c . r r e c i g h t i l o u r P c r s i a n m a n u s c r i p t s i n t h e

\ . r l t r ' r . r l L i h r . r n i r l K r r z . r khs tu t t . o l uh i ch t hc c l l t J cs t i s a Go les tan e Sa ' c i i . 225

i ) . r ! e : . : . r i l ' ed i n S6 -H .

. \ \e* Complet ion of Kashf 'a l -Zunun

Mchrdad Chatravec Aziz Abadi

The art o1' tcxt cditing and research requires various skil ls ancl knowlcclge,

most significantlv thc knowledge of bibliography ( .,*L;--Uj e .r-l-5-. __"),

t h rough r vh i ch a scho la r can recogn i zc he r /h i s dcs i rec l r esca rch sou rccs . Ha j

Khal i ta 's l fushf a l -Zunun is ln imporrunr s()urce o l 'b ih l io-uraphy appl icablc to

scholars ttf varittus l ields of studies, including texl cclitors and text rcscarchers.

There arc scvcra l complc l ions (4L*,_!_ j ) lvr i t tcn for th is r r 'urk. Onc of them,

12

rocent lv publ ished in Bci rut . is in t roc luced, and. received an anaht ica l cr i t ic ism

in t hc p resen t pape r . S i r a l - Masoon z .ay - l a l a Kash l a l - z .unun o f f e r s usc lu l

b ib l i og raph i cp ieces o l i n l o rma t i on to t hc scho la rs . a l t hough i t i s no t c r ro r

lree - particularlv on the Pcrsian rvorks - some ol *hich arc discussed in the

present paper.

A Catalogue Review: N{anuscripts in the l-ibrary

of the University of Isfahan

Javad Bashari

The pape r a t t emp ts 1o re ' r , i o r v t he f i r s t r . ' o l umc o l ' t he Ca ta logue o1 the

Manuscripts in thc Librlnr of thc LJnir. 'ersily o1 lsfahan, published in l3E,5sh.

T h i s c a t a l o g u o i s a r v o r k b v S e v v e d J a f a r H o s e i n i E s h k e v a r i , r , r , i l h a n

int roduct ion by Ahmad Shabani , Ph.D.

Thc pape r r cv ie rvs t he sub j cc t s d i scussed i n t he Ca ta locue . i nc luc l i ng t hc r

importance and dil l ' icult ies ol 'hook-catalogue rvrit ing; the dilTerent mcthods ot

catalogue u'rit ingi thc 1200 or so manuscripts presen'ed in thc Libran'of the

Univers i tv of Is fahan; thc gener i lus peoplc rvho c ledicated the manuser iprs to

t h e U n i v c r s i t v o f I s f a h a n ; a n d , t h c m e t h o d l o l l o r v e d b v t h e a u t h o r i n

cata l tuuing them.

The other part ol the paper dcals rvith somc manuscripts describccl in thct

ca ta logue . d i scusse s some po in t s un to ld i n t he ca ta logue , and . l i na l l y o l f e r s

some app roache s anc l sugges t i ons r vh i ch r vou ld improve the a r t 0 [ ' ca ta l0gue

rvrit ing.

The conc lud ing pa r t o f f e r s examp les o f manusc r i p t s i n t he au tho rs hand

rvrit in-{ and introduces some old manuscripts of that collection.

Characteristics and hackground of lithography & typography

Seyycd Abolghasem Naghibi

Thc a r t i c l e a ims 1o p r<x idc i n l o rma t i on on the cha rac l c r i s t i cs . asu ,e l l as ,

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t h e h i s t o r y o l l i t h o U r a p h r c t t v p < l - U r l t p h v d e v e l o p m ( j n t s . i n t h c r v < l r l d ,

p a r t i c u l a r l v i n l r a n . T a l k i n g o l t h c 1 w o l . n o s t i m p o r t a n t t v p e s t l 1 p r i n t . t h e

a r t i c l e f o l l o r vs an a t t cmp t i n cxp la in in - { t hc mcan inU t l f p r i n t and i n l r oduce s

t h c l i t h o g r a p h i c t c c h n i c a l c h a r a c t e r i s t i c s . M t l r e o v e r . c l c s c r i b i n g t h e

backgnrund o l l i thogruphic ancl t i ,pogruphic developments in l ran, thc ar t ic ie

speaks 0f l i tho-tiraphv & tr,pourapht' as the earlicst lranian lneans of publishing

papers anci books. Finall l ' , i t spcaks about tltc skil l o1 page-lavouf and graphic

c les iun o l a book as a l l 'ected b) ' the l i lho-craphic dcvcl t lpmcnt '

I)igital Scanning: A Nerr Look at the I'uture of Nlanuscript studies

Author: Carl Griftin

Translator: Zohrch Gholamhoseinzatich

Although micro l i lm has heen a standard tool o[ manuscr ipt photographing

since 1950. c l ig l la l scanning has recent l l ' revolu l ion izcd manuscr ipt rcscarchcs.

p r o r , i c l i n g e a s i c r a n d m ( ) r e e c o n o m i c u c c e s s t 0 t h c m a n u s c r i p l - p i c t u r c s o l

h i she r qu r l i t r . S im i l a r l - v , t hc m t l de rn d ig i t a l scann ing t cchno log ie s , such as

ihe rnul l i tn tck sc l rnning, havc increascd the lcg ib i l i ty t l f damagccl munuscr ip ls

t o : . r l e r e I m L r c h h i g h e r l l i a n t h c n o r m a l f i l m s . F o r c x a m p l e , t h i s m t t d e r n

tec i rnr t lg .Ur h l rs shog,n a { r l6d capabi l i t l , in the mant iscr ip l researchers basccl gn

t h r . i n t l ) ( ) f t t l t t t c \ 1 \ s t t c h t t s t h e C o d e x S i n a i t i c u s a n c l t h e H e r c u l a n c u n t

I ) i tp \ ru\ . Desprtc i ts var iot ts adt 'antages, thc d ig i ta l scanning has conl ronterd us

r i i th chul lcnges o l tcchnologv and storagt : .

Stlme Ctlnsiderati t tns on Ciodicolt-tgy:

Nlanuscripts antl the edit ing Nlethod of Azratl i e I leravi 's l) ivan

Mohanmad Taqi Khokrs i

The paper is a codiccllogical 1.5*U-rr;-;) stud.v- o['the Divan e Azraqt.

E x p l a i n i n g . f i r s 1 , t h c p r e p a r a t i o n d i f f i c u l t i c s , t h ( ) p a p c r , t h e n . o f f c r s a

t/;-'1 4

clescriptive and historical study of the manuscripts, ancl a comparison r.vith the

seventh ccntury ones, to determine the authenticity ol the other manuscripts.

second, the paper in t ro i luccs the seven ccntury manuscr ipts fc l l loq,ec l by

the in t roduct ion of four m orc man uscr ipts belongin-r1 to the n inth. tenth ancl

eleven centurics.

In the next par1, the paper gives a crit ical review of the previous editions

of the Divan e Azraqi Heravi.

F inal ly , thc paper c l f lers reasons and just i f icat ions leacl ing I .o a sui tablc

m e t h o d o f e d i t i n g t h e D i v a n e A z r a q i , r e l v i n g o n t h e a f o r c m e n t i o n e d

manuscripts.

Further more, the paper describes the the selection priorit ies ancl the rvay

each manuscript helped in scllving thc problcms and reaching a relinecl rexl of

the Divan e Azraqi Herur i .

Shaybani and a need for editing his rvorks

Al i Rcza Shanlzar i

Abu Nasr Fa th A l lah Khan Shayban i , i s a poer be long ing ro the second

period of the Nerv Classicism (.,-rl;*3rt). His particular stylc of panegyric

writing distinguishes him fiom his contemporaries. Shaybani mixccl panegyrics

with criticism and opposition; for this reason he may be regardecl as a pioneer

of the poers of the constitutional Movement. His expulsion fiom rhe eajarid,N a s c r a l - D i n S h a h ' s c o u r t w a s c l n e o f t h e r e a s o n s l c l r h i s o p p o s i t i o n . I naddition 1tl the pcrsonal criticism, one can come across some public criticisms

directed to the Naserid shorlcomings ol'affairs, in Shaybani,s Divan.

Thc present paper srudies the need fbr ecliting his Divan.

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