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REPERTOIRE SESSIONS Session 6: Saturday, July 18 Amador Valley High School Jonathan Grantham, Director Pleasanton, California Champ de Mars Par Jour de Lumere - Eric Champagne Fanfarria - Javier Perez Garrido On This Bright Morning - David Maslanka Persian Dances No. 2&3 - Amir Molookpour Arcana - Kevin Houben

REPERTOIRE SESSIONSfiles.ctctcdn.com/d58d5365301/41c5ad8e-6605-4b5f-a115-e6... · 2015. 7. 18. · Fanfarria - Javier Perez Garrido On This Bright Morning - David Maslanka Persian

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  • REPERTOIRE SESSIONS

    Session 6: Saturday, July 18

    Amador Valley High School

    Jonathan Grantham, Director

    Pleasanton, California

    Champ de Mars Par Jour de Lumere - Eric Champagne

    Fanfarria - Javier Perez Garrido

    On This Bright Morning - David Maslanka

    Persian Dances No. 2&3 - Amir Molookpour

    Arcana - Kevin Houben

  • Champ-de-Mars, Par Jour de Lumiere (2004)

    20’ Grade 5.5 Editions GAM, Canada

    The symphonic band work Champ-de-Mars, Par Jour de Lumiere (Champ-de-Mars, By Day

    of Light) was inspired by a large, abstract stained-glass design that was integrated into the sta-

    tion above Montreal's Champ-de-Mars metro stop in the 1960s. The composition won the Mi-

    chael Hennigan Memorial Composition Prize at Oklahoma State University. Written in 12

    continually connecting tableaux, Champagne's colorfully orchestrated composition captures

    the impressions of light refracted by Marcelle Ferron's fresco.

    Eric Champagne (b. 1980)

    Born in Montreal, Eric Champagne began his musical

    training in 1992, studying both the clarinet and the bass

    clarinet. As an instrumentalist, he played primarily in

    wind ensembles including Grande Fanfare Classique

    and Harmonie Laval. He studied composition with

    Michel Tétrault at CÉGEP de Saint-Laurent and then

    with Michel Longtin, Hugues Leclerc and Robert Nor-

    mandeau at the University of Montreal. He completed

    his Baccalaureate in 2002 and his Masters in 2003 un-

    der the supervision of Hugues Leclair. As part of his

    graduate level studies, Eric composed his first opera,

    Miss Julie, based on the work of August Strindberg. His

    compositions focus mainly on instrumental music, with

    an interest also for the human voice and wind instru-

    ments.

  • Fanfaria (2013)

    3’ 30” Grade 4 Molenaar Editions, The Netherlands

    Fanfarria is a short fanfare commissioned by the Municipal Symphonic Band of Alicante for

    the centenary of their founding. The main epic theme is introduced by the trumpets in a style

    reminiscent of Copland’s Fanfare for the Common Man. The theme is developed through the

    appearance of the different band sections in counterpoint. Finally, a brilliant coda that builds

    to a final apotheosis ends the composition, which was also written to celebrate the

    completion of fifty compositions in Perez Garrido´s opus collection.

    Javier Perez Garrido (b. 1986)

    Composer, conductor, clarinetist and teacher, Javier

    Pérez Garrido has studied with many renown

    musicians in Spain and other countries, and holds

    an Advanced Degree in Clarinet Performance and

    Composition from the Conservatory of Murcia,

    Spain. He has been given performance and

    composition awards in several national and

    international music competitions. Pérez Garrido has

    played as soloist with many of the most important

    youth wind and symphonic orchestras around

    Europe. Since 1998, he has composed nearly 80

    works including solo, chamber music,

    ensemble, choir, concert band and orchestra pieces.

    He has both conducted and performed as a solo

    clarinetist with numerous bands and orchestras

    across the country. Currently he continues

    composing, conducting, playing and teaching

    master classes in various music schools and

    conservatories in Cartagena, Spain.

  • On This Bright Morning (2013)

    10’ Grade 4 Maslanka Music Press, United States

    There are times of stability in life, and times of significant transition. Transitions can be

    upsetting, often provoked or accompanied by physical or emotional troubles. They are times

    of uncertainty and unknowing, but also the times of greatest creative change. On This Bright

    Morning acknowledges the struggle, and the feelings of pain and loss in times of transition,

    but embodies the pure joy of realizing the bigger life. On this bright morning, life is new, life

    is possible.

    David Maslanka (b. 1943)

    David Maslanka was born in New Bedford,

    Massachusetts. He attended the Oberlin College

    Conservatory where he studied composition with

    Joseph Wood. He spent a year at the Mozarteum in

    Salzburg, Austria, and did masters and doctoral

    study in composition at Michigan State University

    where his principal teacher was H. Owen Reed.

    Maslanka’s music for winds has become especially

    well known. Among his more than 130 works are

    forty pieces for wind ensemble, including seven

    symphonies, fifteen concertos, a Mass, and many

    concert pieces. His chamber music includes four

    wind quintets, five saxophone quartets, and many

    works for solo instrument and piano. In addition, he

    has written a variety of orchestral and choral pieces.

  • Persian Dances Nos. 2 & 3 (2014)

    3’ (each movement) Grade 3.5 Hafabra Music, Belgium

    In these four Persia Dances commissioned by Louis Martinus, the Iranian composer uses some of the peculiar-

    ities of the Persian traditional and folkloristic music with a mixture of various rhythmic and structural ap-

    proaches. Each of the dances is written in a different traditional Persian scale and there is a very strong ten-

    dency towards the creation of the melodies almost in the same way used by the Iranian composers of the tradi-

    tional music in the past centuries. Furthermore, Molookpour on the one hand tries to create these dances with

    this kind of intention toward the melody structures, and on the other hand, he uses the western musical tech-

    niques of composition in a very simple manner to bring these two cultural diversities more close. The four

    dances are each published separately.

    Amir Molookpour

    Amir Molookpour began to study the traditional

    Persian music at the age of nine. After some years he

    began to study the Western music as an autodidact

    and since 1994 followed specialization classes with

    Hassan Riahi, the composer of the last Iranian

    National Anthem. In 1995 he began to collaborate

    with the symphony orchestra of the Iranian radio and

    television as a composer and arranger, writing

    several pieces for symphonic and chamber orchestra,

    including a Fantasy for Tar and Orchestra and the

    Short Suite for small orchestra, which was elected as

    one of the best composition of the Iranian National

    Radio in 1999. He was one of the first members and

    co-founders of the Association of Young Iranians

    Composers who has had a considerable success at

    national level. In 2001 Molookpour moved to Italy to

    study Musicology at the University of Pavia (in

    Cremona) continuing to work with the Symphony

    Orchestra of the Iranian Radio as a composer. He did

    researches on the role and functions of music in the

    religious rituals of the Zoroastrians of Iran, which

    later became the subject of his thesis in the Faculty

    of Musicology in Cremona.

  • Arcana(2004)

    10’” Grade 5 Dehaske Publications, The Netherlands

    Arcana is the plural of the Latin word “arcanum”, meaning secret. In the title, it is used in the

    sense of unraveling the rich past of the Royal Fanfare Sint-Jozefsgilde Mol-Sluis (Belgium)

    and opening up perspectives for its future. During the misterioso beginning of the work, a

    historic atmosphere is created to reflect the founding of the society. Then follows a bustling

    middle part, which provides a challenge for each musician because of the difficult rhythms

    and combined play. After this energetic passage, a very melodious part follows that makes

    people overlook earlier problems, and that offers new possibilities by means of the musical

    reflection of a consequent youth policy, which determines the future of

    each society. Finally, there is a broad build-up to the festive finale, once more symbolizing the

    strength and energy of youth.

    Kevin Houben (b. 1977)

    Kevin Houben was born in Peer (Belgium) in 1977. From a

    young age, Kevin had a strong fascination for music. After

    high school in Peer, he studied at the Lemmens Institute in

    Leuven. He obtained a master in Concert Band conducting

    (with Jan Van der Roost), Symphonic Band conducting

    (with Edmond Saveniers), composition and orchestration

    (with Jan Van der Roost), chamber music and solfege.

    Kevin Houben's oeuvre, from 2001 composed only on

    commission, comprises works for solo instrument, brass

    quintet, brass ensemble, percussion ensemble, wind

    orchestra, fanfare orchestra, brass band and symphonic

    orchestra. Kevin is also conductor of the Youth Wind

    Band of the Koninklijke Harmonie van Peer and the

    Fanfare Orchestra St. Jozefsgilde Mol-Sluis. He is

    assistant conductor at the Koninklijke Harmonie van Peer.

    With the Youth Wind Band of the Koninklijke Harmonie

    van Peer, he won first prize at the International

    Competition for Youth Wind Bands of the Mid Europe

    festival in Schladming (Austria) in July 2010.

  • All works on today’s reading

    session are available for sale from:

    Midwest Sheet Music

    2616 Metro Blvd

    Maryland Heights, MO 63043

    Ph. 314-942-1522

    [email protected]